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Watching video essays about 2010s kids show melodrama is so funny because it's always someone completely straight faced saying "I can't believe it! Twinkle Toes Tapir committed genocide against the entire Equineox race to prove her love to Crabbybara! And the effects of the Hypno-Laundry Powder Monsoon were long worn off by then, so there's no excuse! Doesn't she know that Crabbybara's best friend, Bill Neigh the Silent Guy, is an Equineox? And why was she so quick to forgive the Totally Bodacious Talking Sock Puppet for all the emotional gaslighting during their previous relationship??"
Not saying you can't tell an epic story with character names like this or whatever, just that it's very funny when put in a video essay format.
Ridley discourse before reveal: "He's too big, they'd never make it work!"
Ridley discourse after reveal, before Multiversus: "Told you he wasn't too big!"
Ridley discourse after Multiversus: "WHY THE **** ISN'T HE TOO BIG?????"
I had a weird, vaguely religious dream where I was working for Nintendo's US marketing department in the 90s, and we ended up filming a guy farting in a bathtub while wearing a Superman cape as a commercial. Can't even remember the specific game, so a real "burgers?" moment.
I've talked about the Beano a lot in the past. British cultural staple, funny coincidence, lots of weird archaic synonyms for "laugh", so on. A lot of fond childhood memories, good times had by all. However, there's one thing from the Beano that has stuck in my mind for years - I can barely remember any of the comics (though I do remember a lot from the early 2010s reboot of the Dandy, and quite fondly), but every second of this DVD - The Beano Videostars - sticks in my head.
I believe it's the only DVD I ever wore out because I watched it so much, it came in a two pack with another Beano direct to video movie - The Beano Video, renamed to The Beano All-Stars - both pasted directly from VHS format with a few meta jokes relating to the format left in - I preferred this one since it had a rather fun cinema framing device and a music video. However, that's not really what I want to talk about - I want to talk about the one thing I remember most from this - "The Bash Street Kids in: The New School".
The word "childhood trauma" gets thrown around a lot online, so I'll try not to use it here as it doesn't apply, I don't get PTSD flashbacks to this silly low-budget British kids' movie or anything, nor did it effect my psyche. I'd say it's more "a thing that kinda put me on edge as a kid". I can go back to it now with no issues, and I was kinda stupid for reacting in the way I did to it as a kid.
For non-Brits unfamiliar with them, the Bash Street Kids are a pretty typical cartoon troupe of kids - a bunch of rowdy archetypes of British childhood nostalgia, the only one you need to know by name is Plug - the tall kid who's really ugly, but all the girls see as a heartthrob, simple character with a simple gag. This is the only Bash Street Story on this AVAB (Assigned VHS at Birth) DVD, but it is easily the most memorable part of the whole thing - and not necessarily in a bad way either.
The plot of the skit is that the Ofsted inspector comes to visit, and is appalled by the condition of Bash Street school so he sends the kids to a new, sleek, modern academy where the teachers are robots, while the original teachers are left homeless due to a lack of a job - leaving Plug to realize the crappy situation and get his friends out of the academy. Happy ending where Plug makes a rap song so bad it makes the kids realize what's up, the academy explodes, the inspector is out of a job, the teachers have their jobs back, and the kids are back to their old mischief.
"oh boy, another cartoon predicted AI!" OK, now that's out of the way, the thing that put me on edge about this as a kid wasn't any of those plot points I just mentioned, it was something I intentionally forgot to mention for dramatic effect: that the kids were given plastic surgery and brainwashed into "perfect children" - the tomboy becomes girly, the fat kid becomes buff, the glasses kid gets contacts, so on, yet still weren't "perfect" enough and were threatened with "being vaporized where they stand" for innocent things like asking questions - this gave me bad vibes as a kid, didn't make me scream or cry persay but certainly made me unsettled, and I could never figure out why - I could stand shows like Ed, Edd, n' Eddy and Billy & Mandy that had way more disturbing imagery and themes just fine, and everything else that freaked me out at that age I still fully understand - I always just pinned it down to being conditioned by other children's media to fear compliance - that was until very recently, when I realized that's because it's literally just my childhood as a "gifted child"/"naughty child" - through a wacky cartoon lens.
It's not a good skit mind you, it isn't all that funny, the plot just kinda... happens, and I'm pretty sure they didn't mean to portray it how I interpreted it, just a "maths bad, pranks good" power fantasy and nothing else, even in the 0% chance they did intentionally make an autistic allegory it doesn't actually say anything insightful or provide proper solutions beyond "listen to corporate white rap in class", the plot provides little opportunity for classic Bash Street pranks, and the entire animation of the special/movie/whatever looks like it was drawn with permanent marker - but the theme of being expected to be "normal", then cooperating as hard you can and failing anyway... hits too close to home. The main difference between kid me and the Bash Street gang in this story is that they were trying to be naughty and get a rise, I was just labeled as that despite being quite the moralist at that age. Absolutely overthinking things here, I bet only like, 2 other kids at most were disturbed by this any more than any other random kids' show one-off villain plot, it's all very daft and young me was certainly overreacting, even if those reactions were merely "vibes" - and at the very least, it was reassuring and had its heart in the right place, unlike Grizzly Tales. Don't get me started on Grizzly Tales - the only thing worse than the weird GoAnimate-tier child punishment fantasies in that thing is the voice acting.I appreciate this story in a weird way, not necessarily for being good but just for being one of the first things to - even if unintentionally - tell kid-me that something's fishy about how adults treat me.
Anyway, on a much lighter note, the ending of this DVD is hilarious. Dennis the Menace gets a love interest - and is so disgusted after realizing that he kissed a girl that he breaks out of the cinema screen, walks past his real-world self who presumably was some kind of Roger Rabbit cartoon actor, and then modifies the film reel to cut out the kiss scene. The girl gasps sadly, and then it rolls credits to stock cheer SFX. Chad behaviour.
Am I going to pay £10 extra pounds on top of an already near-£50 game just for a few alternate costumes that will most likely be dinky hats? Yes, yes I will. Because I'm a sucker.
For all my funny hahas about "what if Disney made Smash and had third parties", I've only just realized that the equivalent of me wanting microcomputer rep in this universe would be wanting Beano and Dandy rep, heh.
It's funny how, when playing a fighter with original or uber-obscure characters, you kinda just build your favourite alt costumes in your head as that character's default appearance.
What do you mean Ittle Dew isn't an elder with an eyepatch in the game?????
Now that the Velma dust has settled and I can (probably) talk about this without seeming like a right wing nutjob - one thing that rubs me the wrong way about this show is how the more diverse version of Scooby-Doo is also the more adult version - as a white guy, I don't see anything wrong about an alternate universe show where Shaggy is black or anything, but having the only show where Shaggy is black and Velma is Indian also be the violent, sexual, misanthropic Family Guy-like, 99.9% chance not intentionally, comes off as saying "being diverse and engaging in that culture is an adult/political subject matter".
If I had the ability to make a convincing leak for any game, it'd be one of my niche most wanteds, basically just in hopes of getting people to discuss them seriously.
I know this is a cliche, but I want to say the words "Pre-order Dreamworks All-Star Kart Racing Digital Deluxe for a chance to play as The Embodiment of Death!" to someone in 2012.
While I don't think it's the only reason, I do think it's very likely that one of the things holding Pibby back from a greenlight is that it attracted a really young audience. Nobody's at fault for this - not Adult Swim, not parents, not kids, not FNF modders, if anyone it'd be YouTube for not having a complex age rating system and even that's a stretch - but it raises a real dilemma for both the writers and the execs - can and should you tell the same story in a PG-13 format? would capitalising off of this unintended audience with a tamed version increase or decrease a potential controversy? in the case of this specific show, should they cut down on the more modern and timeless cameos that would draw kids to it if they keep it on Adult Swim?
I honestly find it kinda weird that Smash fans specifically are so pro-monopolist. Nintendo fans as a whole makes perfect sense from a historical perspective, Nintendo has a past of upholding monopoly and, once it was finally broken, made them into a laughing stock for almost a quarter of a century, something we're only just now seeing tame down as the 90s kids grow out of discourse, not to mention their usually-effective-but-at-times-crippling obsession with originality contributing to a "derivative = bad" mentality; but Smash is a mega-crossover between multiple companies, where a lot of the franchises featured were very clearly inspired by one another. It would not exist (even in its earlier, Nintendo-centric state) in a world where every new installment in a genre is considered an inferior bootleg.
If you think NASB and MVS' side-over-protags are surprising, you should really see Slap City. That game has 10 characters, spanning 8 games, and only 2 of them are main protagonists.
This guy is walking testosterone, and proudly sings about he is an affront to god, but all you see him do in the song is harmless children's playground pranks. It is just the perfect comedic dissonance - I'm sure this is all just for intentional comedic effect and he does much worse things in the actual episodes (IIRC he was a poacher? I believe I saw the Long Lost Lyman episode he was in on Boomerang as a kid, I distinctly the only reason I didn't change the channel being that I knew about the Lyman character beforehand and was genuinely invested in his disappearance)
I think Brawl is the start of Smash's dark age and easily the worst installment, but also generally has more in common with the 2 HAL games than the Namco games.
Yoshi's Story is a woefully flawed game, Yoshi's moveset from Island is, IMO, too complex to work in a beginner's game; the save system is somehow worse than even Crash 1; you spend most of your time being bumped around uncontrollably; it's impossible to play every level in a single playthrough; and it had a rather negative effect on the perception of 2D games at the time of its release (not that that last one was its fault, but still), but it's also a game I can't bring myself to even dislike, let alone hate - mostly because it was the first game I ever beat, but also because the artistry of the game's visuals is just incredible, and I appreciate how it continued the experimentation of Island, even if not to nearly as good an effect. I'd also argue that it has one of the best endings in a Nintendo game.