if i went to the star wars hotel, asked a cast member about glup pooppo, and they said something that would imply they were real, would that retroactively make them disney canon
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A for Apple
VERY GOOD
B for Ball
VERY GOOD
C for Cat
VERY GOOD
H for How
NOT SO GOOD
did wario land the shake dimension predict the 3ds
I've been starting to warm up a bit to the idea of live service Smash. If they want to please everyone with their rosters, this is the only way they can do it.
As a whole, I've never inherently minded the idea of a large Smash roster, even though I may have said some things that imply otherwise. Other external factors simply make the way Smash handles it currently bad (attempts at competitive appeal, prestiege marketing that poses Smash as akin to a knightship, and generally bad roster decisions in particular) - in a game that leans heavy on online F4A and has a rapid stream of new characters of varying hype factor, it would be perfect.
I've been negative enough today, so here's some positivity: Heathcliff seems to be starting another Meat Week
Read Heathcliff by Peter Gallagher on GoComics
Dive into Heathcliff, a comic strip by creator Peter Gallagher. Explore the archive, read extra content, and more!www.gocomics.com
Read Heathcliff by Peter Gallagher on GoComics
Dive into Heathcliff, a comic strip by creator Peter Gallagher. Explore the archive, read extra content, and more!
Read Heathcliff by Peter Gallagher on GoComics
Dive into Heathcliff, a comic strip by creator Peter Gallagher. Explore the archive, read extra content, and more!
i tried looking up the context of the jerma xenoblade clip and... damn, does every gaming fandom get this?
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This is horrible news, oh my god. I was really excited to see where post-Lassetter Pixar goes too, but rip.
There was a problem fetching the tweet
One weird response that comes up a lot when I say a game is better than its sequel (64/Melee and NASB1 specifically) is "you're disrespecting all the hard work the devs put into it!" and like... in a charitable reading, that's mild emotional manipulation, and at worst, that's a hypocritically backhanded way of saying the first game took no effort to make in disguise as a complement.
Disqualifying DKC (it's British, it was born from the ribs of the C64 SID chip, unfair advantage), first-party Nintendo music peaked here:
Shoutouts to Muda Kingdom from SML1, Moonman's Fandango from Galactic Pinball, and Dire Dire Docks too
i
weird/obscure thing
While my primary issue with them is their insistance on having genuine stakes instead of just being a silly fun adventure with multiversal friends, I think one of the things serverely missing from Smash's story modes is an element of "meta" - not in the sense of "Isn't this all a bit weird? Wink wink nudge nudge" but in the sense of "these are video game characters inside a video game." The only thing Smash's characters have in common - even within just the first party lineup - is video games, it makes no sense to put them together into a story and not tell a story that is directly, non-allegorically (in case someone brings up the MatPat theories) about video games. They don't even have to be aware they're in a video game necessarily
I'm surprised nobody has brought up that Multiversus' rifts mode actually has pre-rendered CGI cutscenes. You'd think with the lack of cutscenes being such a major criticism of modern Smash, that'd be something people would be gassing up hard. I guess 2 out of 3 thus far are performing double duty as trailers, but still.
oh my god jim henson was ahead of the curve on the market for "cartoon characters paying taxes"
The Muppet Income Tax Show
The Muppet Income Tax Show was the working title of one of several 1970s proposals for Muppet specials built around holidays or seasonal events, similar to the aired The Muppets Valentine Show.[1] Less of a traditional holiday, The Muppet Income Tax Show took the concept of taxes and paired it...muppet.fandom.com
drawn to life spongebob edition daughter or meteos disney edition son
i love how monotone the va work here is
NASB1 REVIVED MY GRANDMA
I have mixed feelings looking back on K. Rool's inclusion in Smash. On one hand, he's one of the best designed SSBU newcomers, a really fun character, and represents a great classic game series - but on the other, he got in through the ballot, which I feel was super exploitative; he contributes to the major issues of SSBU's roster being too monetarily-minded by being a fan demand pick; and a lot of his supporters did have a kinda strange (even if not necesarilly malicious) ulterior motive where they wanted him as a trojan horse to get him in a new DK platformer and not Smash alone. I might just be thinking of this negatively because being so excited for K. Rool was a bit of a minor trauma for me, but still.
me on the way to commit tax fraud and plagarise rejected TV show pitches (AND YOU CAN'T STOP ME, CLAUDE ROBINSON!!!!!)
Wait, so when Nintendo was accused of union busting, they were actually found guilty??? Why did nobody talk about this???
Absolute legend
Video Game Music Legend Geoff Follin Has Passed Away
Geoff and sibling Tim were responsible for some of the best soundtracks everwww.timeextension.com
I just read the officially-released Pibby storyboard and it's both sad and a little funny how people were expecting the show to be a commentary on strict corporate possession of dormant IP when in reality it seems to more be taking aim at meme and remix culture in a kinda spiteful way.
It's weird too, because despite that "don't corrupt our precious IP" vibe, it (at least judging from this probably-non-final storyboard) also seems very resentful towards the kind of show Pibby as a character is pastiching - Pibby's friends seem less like "over-sheltered innocents in a scary situation" and more "absolute idiots who walk into death like lemmings", feels a lot more Happy Tree Friends than the relatively serious tone of the trailer.
The Simpsons Game is probably the single game I've gotten the most YouTube reccomendations calling "forgotten".
I like to call Twitter "Twitter X" because it makes it sound like an edgy late 90s/early 2000s reboot.
It's always weird to go on any other Smash discussion place and be reminded that common SmashBoards takes aren't particularly popular opinion.
A moment of silence for everyone born in 2007 or later. They will never be Time Person of the Year.
If I manage to make game design an actual career, I WILL make a NASB1 spiritual successor and there's nothing you can do to stop me.
yo wtf they put a discord bot in multiversus
THE DONKEY KONG JR. MATH FANDOM IS DYING
LIKE IF YOU'RE A REAL MATHHEAD
The fact that the main criticism of Fraymakers is "the animation is TOO GOOD" feels really emblematic of the wider platform fighting community's strange priorities.
So I can't play MVS OFFLINE when it's down for maintenance?
Oh dios mio
i am reading the multiversus bios, and god they are obsessed with the phrase "protector of the innocent".
I love the juxtaposition of one of the Title.WMAs sounding you're ascending to godhood and the other being European vacation music
Where was Garfield today in 1979?????
Watching an MVS tierlist video and
- Listening to someone seriously talk about The Rock's Black Adam as a fighting game character feels borderline like they're being exploited.
- There's a nice irony to the best character in the 1v1 gamemode being Jake, a character who likely only got in (at least so early) because of the 2v2 focus.
"Bubsy 2 is the best Bubsy game" might just be JonTron's worst non-political take
In all seriousness, Bubsy is a really tricky series to evaluate, because the quality of a Bubsy game as a whole package is usually opposite to the quality of a Bubsy game as a game if that makes sense? The reboot games (thus far) are completely forgettable outside of their soundtracks and dialogue, but very compotent platformers, while the original 90s games tended to be absolute messes mechanically, but had a lot of interesting ideas and outright well-executed visuals - the only constant is that Bubsy 2 sucks.
Trying to figure out how to represent "The [game name] game" in Smash.
You know, thinking back about that awful Sakurai Dolby take, maybe it's just me growing up autistic, but it never really crossed my mind until then that people wouldn't like logos, even the long and unskippable kind. Even watching CinemaSins as an edgy teenager I thought the joke with the running logos bit that I compared Sakurai's take to was "Yeah, they point out everything, even if it isn't a flaw", not "logos are too long, this is a flaw". -
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