Wario Wario Wario

Something I wonder about iterative sports games that I'm sure someone could answer: how did they handle the borderline-unrecognisable hardware shifts of the past? Is there still underlying PS1 source code hiding in the latest Madden?

just had an mcu/smash cameo cheering moment when caddicarus mentioned the parappa l button loop easter egg

they should do the street fighter method of music representation for this game

friendship ended with "mappy smash stage"
now "keystone kapers smash stage" is my best friend

(still put in microwave doors as an item though)

genuinely thought this was a weird single-purpose parody site for a second

why is the angry atari sega nerd in mysims

NASB 2:
NASB 2 if Grandma Gertie wore a prison suit, threw toilet paper, and her super was doing the Game Boy Camera dance to the Charmin jingle and summoning Grateful Dead bears:

on the text studio and wtf is this

Felt it'd be fun to have a go at the "cute-cool-weird" triangle I was talking about prior... TBH all the characters who lack either "cute" or "weird" could also be considered the missing element (perhaps moreso than their cool classification) but the 3 devoid of cool can almost certainly not be called that lmao.

i do not like the implied message of Super Mario World (TV Show) Episode 12 A Little Learning

The best way to implement a Mario Kart driver in Smash is Baby Mario and Luigi in the Goo-Goo Buggy - perhaps you could swap them for Baby Peach & Daisy given they don't have variant characters yet but Mario does - but I think they kill a lot of birds with one stone

1. Implement the babies without actually putting them in more harm's way than they would be in in Mario Kart (hell, the buggy itself is big enough compared to most other karts that you can probably have it be the hurtbox and not the babies)
2. The babies are typically associated (in a mainstream sense) with Kart above Island or PiT, something it's harder to say about other variant characters (given the babies are mostly Kart-exclusive nowadays) or Waluigi/Daisy who have their own sort of cult crowds and individualised fan-lore
3. Really distinctive kart design that is still clearly a vehicle
4. Signature item is the closest any Mario Kart item is to a conventional fighting weapon that a whole moveset could be built off of (essentially a living mace) - the chain chomp could also be the one getting grabbed (maybe a hurtbox that is immune to grabs but not hits?) since most of the "exceptionally" (not really) violent Smash moves are grabs of some kind.
5. Would to some extent represent Double Dash specifically, specificality is neat and Double Dash is probably the most item/offense-centric MK game.

Tails in Smash is funny, because by all means he is the next pick by Smash's traditional heirarchy, but he'd also blindside WAY more people than Knuckles or even Shadow would if he got in, he's just not in that conversation.

why do youtube community posts not want to show me posts from channels i follow, but instead pro-vigilante justice propaganda. like that's a weird recurring theme

When I made that post about Yogi Bear powerscaling, I didn't realise that - because the Mad TV show was made by Warner Bros. after the Hanna-Barbera buyout - Yu-Gi-Bear is literally canon.

bart's imp son: "don't have a cow man"
uhh ackshually it's called a bull.

nintendo if they licensed out "malo mart - the legend of zelda: twilight princess" to reality shows like ea does

WHY DID THEY DE-POOPIFY CHOCO MOUNTAIN????

Watching the SML Chicken Jockey video for... some reason and TBH these guys should just make non-puppet skits. Their acting is way funnier whenever a human is on screen.

does anyone remember the commercial where cgi foam man goes to woodstock, explodes to death in front of a giant crowd, everyone cheers, and he is reborn as a baby

I think that when people discuss "If I was in charge of Smash..." hypotheticals, or really any major pop-culture directing job hypothetical, they don't realise how different their mentality would be when put on the hot seat, and that they can't simulate that change. I don't want Geno in Smash, and I don't like fan demand, but maybe sitting on Sakurai's old director's chair could just spark in me "Oh hey, that makes sense, that'd be neat" because power corrupts

Trust me, most fans would immediately say yes to SpongeBob and Goku if they had a legitimate, consequential opportunity.

N64 and PS1 game menus were just as bad about attention span retention as YouTube Kids.

There are only 47,000 lions on planet Earth (accounting for both captive and wild lions), therefore "a billion lions" also abides by Stan Lee's law of "these are fictional characters, the winner is whoever the writer wants to win".

Are we sure that the title "Adam Ruins Everything" refers to Conover and not Smith?

A lot of Smash characterisation discourse would be ended in a second if people just bothered to press this for once.

The Switch "eSlop" remedy update is uhh... really bad actually. It just puts MORE emphasis on heavy-hitter games and discourages indie devs from doing discounts

Like, it is an inherent net positive that Gimblegorm's Super Fun House, made with royalty-free Unity assets and only providing 10 minutes of playtime, can find an audience. Someone will like it inevitably. It's an ultimately damaging band-aid compared to just... you know, vetting the games. The reason people are upset with eSlop is because they can't discover new content because of it, not because they're weaseling into the charts.

Just found out that nintendogs has epic western final boss music

One of the reasons I think Duck Hunt should be Nintendo's first rep in a bizarro-reality Microsoft or Sony Smash is that well...

Where the hell else are you gonna put 80s content, but with Nintendo rep? At least assuming this game would be done on the weird middle-ground factor of Smash's 3P content. I doubt Pac-Man would get as much priority when Namco has such strong ties to the PS1 and PS2, and 80s rep in general doesn't make sense for a game targeted at PS (or worse yet Xbox) fans who likely would've only gotten into gaming in the late 90s or later, but adding Nintendo content already has an inherent "go out of your comfort zone" factor and inate headline drawing ability that you may as well play into to represent something it'd be hard to have otherwise.

The Homebrew Channel did nothing wrong (this message is directed only at the Homebrew Channel itself, not anyone else)

Thinking more about Simpsons arcade (and its one-season-no-problem ilk: South Park N64 and SpongeBob SuperSponge) and I do wonder if video games based on shorter running shows/franchises would've also become a bit disjointed from the (retroactive) source material as time goes on.

Speaking on a show I do have a bit of authority on: Rocko's Modern Life: Spunky's Dangerous Day has quite a bit of that, but not much. It's based directly on the "Rocko saves Spunky from danger" plot that's mostly confined to season 1; Earl the Dog and Slippy the Slug - character who were meant to be major characters but very quickly disappeared - is present and one stage seems to be based on an unmade episode - Ironically, some elements actually became MORE true to the show retroactively (Earl got adopted into the Bigheads' household midway through the series, he's always in their home here; Filburt was meant to be a minor character but became prominent over time and is featured here). There is some other smaller weirdness in the game that is moreso just regular inaccuracies (for instance, some objects coming to life are friendly, when officially the malicious objects are just imaginary products of Rocko's paranoia and not a part of the show world - I would've missed that too if I hadn't read the pitch bibles). Rocko's crossover game appearances actually themselves in the modern (haha) day tend to suffer from "first 6 episodes and the movie" syndrome, there's a lot of Suck-O-Matic; a lot of garbage day goop; and a lot of flying houses.

It's funny how people got on NASB's case for using acquired characters, but had no problem with MVS including characters from a series that's arguably most iconic specific imagery is this:

I really love ROB's implementation into Smash as a whole, but I hate how he's the only character they won't let Subspace stay it's own thing for. The lack of diegetic Stack-Up/Gyromite content is perhaps an issue, but it's not a big deal, I don't even mind adding pathos to ROB in theory (I've imagined my fair share of tragicomedy Game Boy Camera fanfiction). Having this goofy little guy labled with "the last of his kind" as if that's a core trait of the character is just stupid.

I don't care how they do it, they must put ROB's egg in Smash.

watching the nostalgia critic video on simpsons arcade
"these bunny characters are from matt groening's old comic stri-"
LET HIM SAY HELL.

I kinda want to do a big deep dive into 90s Japanese fighting and beat em up stages, particularly games not released or succesful on Nintendo platforms, to figure out just how much of their DNA is in 64/Melee/Brawl stages (especially Melee) - mostly because I just replayed Simpsons arcade and noticed that the first stage in Springfiled reminds me a little of Smash's Onett and it made me wonder how much of it was Boss Baby vibes vs. a legitimate potential inspiration like I'm pretty sure Kongo Falls and Bridge of Eldin have for SF2.

Hey, sorry to pester you but are you planning on doing a replacement submission for the trading card game thread?

just watched a compilation of the wb michigan j frog bumpers, and jesus christ why did they put so much effort into this. they did a song for EVERY CORPORATE SPONSORSHIP and EVERY SHOW and some of the sponsorships were COVERS OF JINGLES. 90s corporate america, your devotion maximalism will never fail to fill me with glee.

I think I've said before that Yoshi's Story has my favourite credits sequence in any game (which is absolutely biased because it's the first ever game I ever beat), but a close second would be the Simpsons Arcade. Nighttime cityscapes are my favourite aesthetic of all; I associate the Simpsons credits theme and its subtle differences from the opening with settling down for the night through my childhood routine; and the little scene with the diamond at the end is wonderful (if out-of-character)
Mr. Gimmick's good ending - which kinda has a similar feel to Simpsons' - would be a somewhat distant third