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  • Rhett: "I don't think this is a very smart thumbnail idea, Matt"
    MatPat: "More clicks means more donations, buddy! Positivity gets people clicking!" lights cigar and adjusts monocole
    Link: "No, we can't do that, people will think our cause isn't serio-"
    Odd1sout: "Hush! you know this is a publicity stunt, right?"
    Devil Odd1sout: "Hey, smile for the camera!"
    Rhett: "Well, I guess charity work is more important than integrity..." shrugs
    D
    Deleted member
    You joke but the idea of Odd1sout taking charity stuff just as publicity stunt seems worryingly fitting based on the few stuff I've seen of him.
    This, my friends, is why I'm glad Nick got a proper platfighter instead of CN.
    D
    Deleted member
    CN: "We need to cancel this project because kids nowadays aren't familiar with this IP"

    Creator: "Then let's do reruns to get back the memori-"

    CN:
    Wario Wario Wario
    Wario Wario Wario
    The thing is, I don't think kids would be lost on anything if these classic shows aired reruns. Kids don't care about a 4:3 aspect ratio or animation cel dust particles - case in point, in the early 2010s I went to a boarding school with kids younger than me. (I was probably about 13 to 15 and the kids I shared residence with were about 7 to 10) At the time CN were rerunning Billy & Mandy and the Eds during school hours, and we got to watch CN at lunch because you know, boarding school, and the kids loved the classic shows just as much as Adventure Time and Regular Show.

    In fact, there are fandoms forming online among younger generations for older cartoons - the Banana Splits horror movie got a lot of the FNAF audience into the original Banana Splits, a fandom that then grew even bigger with the release of Jellystone. If kids today can enjoy Hanna Barbera of all things, who's to say they won't enjoy a bit of Dexter's Lab or Fosters? To be fair, Boomerang US are rerunning the 90s and 2000s shows currently, so even if Tunes and Scooby are taking up a majority of the schedule there's still hope for these classics to be passed down by generations like those aforementioned IPs have been for decades - really it's the execs' call, but if I was in their shoes I'd put new Looney Tunes, Flintstones, and Scooby-Doo content on syndication to local and startup channels, then use Boomerang as nostalgic rerun heaven, allowing new concepts to run wild on main CN.
    I've always found the logic of boycott culture, especially its more radical side, ridiculous - if a company exploits their employees, and enough people boycott to make a dent in their profits, that'll mean those employess will be paid less at best and will be out of a job at worst. All the company is gonna see is that the franchises you avoided buying aren't profitable anymore, and the companies that often get this response like EA and Activision are really infamous for killing series at their peak while refusing to sell them - humans being treated like humans is obviously more important than Spyro 4, but boycotts won't help either. True activism, making sure the head honchos understand the errors of their ways by being vocal in places where they will hear, will help everyone.
    I generally do not like duplicate characters in games where characters are cosmetic... but I can make an exception for this lovely bunch
    I will never understand why people like unlockable content in fighting games and shooters. Other genres like kart racers where characters are cosmetic I can understand, but in the internet age of spoilers; DLC; and viral marketing there's no room for unlockable characters and stages in games where each character plays different.
    Torgo the Bear
    Torgo the Bear
    I feel like it gives you something to do. Something to work towards.

    Although when it comes to fighting games I do prefer to have all the characters at least from the beginning.
    HEY, YOU'RE PRETTY MATURE THAN I THOUGHT - GOOD GOING

    Considering all the PaRappa songs were written in English by Japanese people, it's impressive that there's only one instance of bad grammar.
    A small part of me hopes Daisy really is missing from Party Superstars so Nintendo will see the passion people have for her and start giving her bigger roles - Waluigi was absent from Kart 7 and because of backlash hasn't missed a Mario game where he could logically appear since, (and has become a lot more prominent in marketing) even if he has stayed as another multiplayer option.
    If Crash got in Smash, I hope the Twinsanity tracks either aren't remixed or have remixed and original forms coexist - I really want to know how people who either don't play Crash or aren't familiar with the games between CTR and the renakes would react to this song:
    I feel we're about to enter a golden age for licensed games. This past half-a-decade has had less licensed games than the 90s or 00s, but they've been so much better - and when studios realise getting talented devs to work on IPs they're passionate about is what sells a product, we'll get quality and quantity.
    Garfield in Nick Brawl honestly feels like a no-brainer to me. The way Garfield funcitons as a comic strip, taking 5 or so running gags and finding new ways to subvert and spice them up every day, is absolutely perfect for a platform fighter and just how beloved/iconic Garfield is more than outweighs his current lack of Nick relevance.
    The reason nobody takes gaming music seriously is because if a general music fan asks a gaming music enthusiast to show them an example of great gaming music they'll most likely play something that sounds like this:
    That Shantae Mii Costume Tweet is so memorable to me. The fact that someone felt the need to comment "I'm so sorry, this is the worst thing that could've happened ):" to the character's creator who was celebrating her confirmation in spite of the smaller scale is both disgusting in its ungratefulness and harrowing in showing how hype culture can be internalised. "Sad cringe" if ever I've seen it.
    KneeOfJustice99
    KneeOfJustice99
    I've never been much of a Shantae fan or supporter personally, but it genuinely did warm my heart to see how excited the creator was that she was getting in, even as a Mii Fighter. Like, I feel like it genuinely must be a truly magical feeling to know that something you did, something you made, touched so many people on a global scale that it was added to a celebration of the media you adore and chose to contribute to. I've always thought of Smash as a sort of celebration of gaming history, and seeing your creation (especially given Shantae is generally considered an indie title) as a part of that celebration must genuinely be such a heartwarming experience.
    D
    Deleted member
    People for some reason like to project their thoughts or hatred of something with the creators of said stuff they like or dislike

    Even this community tends to do It with Sakurai (as It is the case with the now infamous memes)
    Wario Wario Wario
    Wario Wario Wario
    I've been working on my own game project - just conceptualisation for now - and, I've said this many times before but, having my characters in Smash in any form would be a nightmare to me. The main reasons are that I don't want my characters in a game that pushes season passes and I'd rather support smaller platfighters - but even if there were no season passes and Smash shared an equal non-monopolised spotlight to the likes of Zetterburn and SpongeBob, I could still name tens of reasons I don't want them in, possibly a hundred.

    Maybe I'm just miserable and ungrateful-for-things-I'll-likely-never-have but my game's eventual fandom would be lucky to have my characters in the same Nintendo Direct as Smash, let alone a Spirit and Mii Costume. To me an honour would be being trusted with actually working on my childhood gaming heroes like Pac-Man and Wario, be it as guests or an indie-outsourced game, not having my characters appear in the same game as them.
    This legitimately sounds terrible - how did Nintendo approve this?
    Just rewatched SMG4's Teletubby TV - I feel ashamed for ever finding this funny. I was on the verge of tears and only laughed as a coping mechanism. "Bored to tears" sounded like a simile until today, even the meta-gag of Mario being tied up and forced to watch the episode didn't resonate with me because Mario wasn't upset enough for me to relate - and I was watching it by choice!

    My generation deserved better content - even the real Teletubbies (the show so mindless people thought it was a malicious conspiracy against the youth) provides more entertainment value and more to think about as an adult than this trainwreck does - the solarpunk archetechture, the quirky character designs, the soothing yet silly atmosphere, the creative technology, all of those can be appreciated through an adult lens. I would be concerned for anyone over 16 who found this video funny, even for nostalgia.

    I am aware SMG4 was around 14 or 15 when he made this video, and while that could justify the outright offensive jokes because of a lack of world-wearyness, it doesn't justify the sheer lack of comedy and creativity - it is so bad that it negates the benefit of inexperience.
    Scott the Woz has an aura about him that cancels out comedy. Even on the rare occasion he says something actually witty or clever I cannot bring myself to laugh.

    I would really love serious videos a la Gaming Historian on some of the topics he covers, there's some really fascinating stuff but I don't want to sit through all the unfunny jokes inbetween.
    There is no excuse for the bland, unthemed fonts in current day Nintendo games. If it was for accessibility it'd also be used in Splatoon and Fire Emblem, which I'd argue are the only Nintendo series that still put thought into the fonts they use. If it was for professionalism, that's a selling the products thing, not an inside the products thing.

    It's especially egregious with the new WarioWares. Those old fonts made up so much of WarioWare's personality, and they already had HD versions in Smooth Moves.
    A lot of the WarioWare characters would be really easy to introduce into Mario multiplayer games - casual and younger fans who only really care about Kart and Party likely wouldn't be confused by the employees popping up out of nowhere because of how self-explanatory their designs tend to be. Like, imagine you're a kid, you don't even know that Wario has his own games, and you just got the new Mario Kart for your 7th birthday. You boot it up to see all your favourite Mario heroes and villains are back - but there's also 3 new characters:

    You just glance at them and you know exactly what their main quirks are and what mood they convey - you then tell all your friends at school who haven't got the game yet that the new characters are a disco dancer, a cyborg scientist, and a witch girl and they'll likely either draw up similar images in their mind or, if they're more in the loop on the game/played WarioWare, know exactly who you're talking about.

    As much as I love a lot of the RPG characters and want to see them in major Mario games it's a bit harder to get a feel for their personality or even comprehend some elements of their design than with the Ware cast. A casual fan saying "singing robot from Mario Kart" or "alien with sunglasses from Mario Kart" makes a lot more sense without context and is easier to accurately imagine for a non-fan than say, "one-legged witch from Mario Kart" or "bean prince from Mario Kart".
    I think this music list I made for BWD on the FP3 creation thread is as on-brand as you can possibly get for the character.
    1. Gourmet Race - Kirby Super Star
    2. Sand Canyon 2 - Kirby's Dream Land 3
    3. Gourmet Race - Kirby 64
    4. Gourmet Race - Kirby's Epic Yarn
    5. Gourmet Race to Green Greens - Kirby's Dream Collection
    6. Dedede Battle - Kirby: Nightmare in Dream Land
    7. Paint Panic - Kirby: Canvas Curse
    8. Gourmet Race (Brass Band) - 3DS Theme Shop
    9. Gourmet Race (Reggae Mix) - Kirby Super Star
    10. Gourmet Race (Ragtime Mix) - Kirby Super Star
    11. Gourmet Race (Bluegrass Mix) - Kirby Super Star
    12. Gourmet Race (Big Band Mix) - Kirby Super Star
    13. Gourmet Race (R&B Mix) - Kirby Super Star
    14. Gourmet Race (EDM Mix) - Kirby Super Star
    15. Gourmet Race (90s House Mix) - Kirby Super Star
    16. Gourmet Race (Eurobeat Mix) - Kirby Super Star
    17. Gourmet Race (Techno Mix) - Kirby Super Star
    18. Gourmet Race (Dubstep Mix) - Kirby Super Star
    19. Gourmet Race (Mambo Mix) - Kirby Super Star
    20. Gourmet Race (Smooth Jazz Mix) - Kirby Super Star
    21. Gourmet Race (Prog Rock Mix) - Kirby Super Star
    22. Gourmet Race (Acapella Mix) - Kirby Super Star
    23. Gourmet Race (Demoscene Chiptune Mix) - Kirby Super Star
    24. Gourmet Race (80s Synth Mix) - Kirby Super Star
    25. Gourmet Race (Dramatic Orchestra Mix) - Kirby Super Star
    26. Gourmet Race (General MIDI Mix) - Kirby Super Star
    27. Gourmet Race (Pop Mix) - Kirby Super Star
    28. Gourmet Race (70s Supermarket Mix) - Kirby Super Star
    I really dislike when people say a reboot or continuation is bad just because a character they like is missing or had some characterisation/design change - especially when that instalment is actually bad. Slapping on Krystal won't fix Star Fox Zero's problems.
    Filler post to push the auto-playing Reddit cat video off the home page so I can look at it without my background video being interrupted.
    what the hell has this show turned into
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