Have I talked in here about Man of Steel yet? I saw it fairly recently. From what I understand, most problems people have with this movie are related to how they handled Superman, the mythos, the characterizations etc. I don't care much about the specifics of Superman.
My problem with this movie is that every single aspect of the film-making process itself was wrong. It looks like a first-year film student borrowed a very nice camera, and wrote a shooting script that was entirely new-age camera directions, then wrote scenes to fit the camera movements. My personal favourite was the pan to lens flare and deep zoom on an effects shot, followed by ANOTHER pan to lens flare and deep zoom too close to that same effects shot, then held on and shaken for 15 seconds as if it were being filmed handheld. But we can't forget the scene where the very tall Daily Planet building falls very slowly, fitting squarely down between other buildings, onto running people on a very straight street, so that Lawrence Fishburne can have an extended hero sequence (likely due to a rider in his contract). Or, there's the scene where Superman very slowly lets himself fall from a hole in a spaceship back to Earth without looking where he's going, arms outstretched in Jesus mode after talking to the character who's the God parallel for too long, then catching Lois at the very last possible second, who he knew was also falling to Earth very quickly while he was having his leisurely chat and slow fall. (Likely due to a rider in the God parallel's contract this time; this actor also gets to physically save the day several times when he's dead, as a hologram computer interface.)
Aspects of Superman specifically aside, the main character is portrayed and possibly written intentionally as a sociopath, and given no growth or even endearing character moments to make him likable. But the 20-minute Russell Crowe-centric prologue sets up antagonists in one big action scene, and they show up again in the 40-minute single-action-scene conclusion that never ends. This leaves over ninety minutes with the sociopath having nothing to do, so a couple tricks are utilized to make it seem like something is happening.
The first trick is in editing: the whole 90 minutes is non-linear storytelling, so that the audience might not look at their watches. Clark's an adult, he's a kid, he's an adult, he's a teenager, he's a kid, he's an adult in the future, he's an adult in the present, etc. For the second trick, humanity is set up as the real antagonist of Clark's story in lieu of the absent evil dudes, and he is forever having trouble dealing socially with every human he comes across... including his foster parents, somehow, even being closed off from them every moment of the movie, including when one of them dies (he lets it happen). Every new cut to a different time in Clark's life showcases anew how terrible humanity is and how poorly they treat him, from children right up to very old people. (But at least he gets back at one man by putting a tree through his transport truck and only source of livelihood, hinting at mild psychopathic tendencies that will surface again towards the end.) Humanity's dark and varied villainy sets up the God and Jesus scene towards the end, when Superman decides that despite how terrible humanity is, it's not their fault because they're dumb apes, and in great sacrifice he'll happily die for their sins get punched a lot and shot at and fight tentacle robot monsters for their sins. (P.S. That actually happens.)
The scene where Clark destroys his ENTIRE small hometown by trying to beat up other invincible Kryptonians there is bad enough, and of course the human army is there to uselessly fire on both sides and remind us who the real antagonists are. But there's one scene that really sums up every problem with this movie. Towards the end of the never-ending final action scene, one of the antagonists is seconds away from murdering a terrified sobbing family huddling in a corner. They are about to be disintegrated and die in agony. Superman snaps this particular antagonist's neck to stop it from happening... then immediately breaks down sobbing in Lois' arms as she gently consoles him. Meanwhile, the confused and still utterly terrified family is presumably still huddling in the corner, unsure if they're safe yet as there's still a super being in front of them with unknown motives and the city is falling down around them. But we'll focus instead on Superman's ORDEAL of having to kill someone evil, because that family was just plot fodder, and showing him maybe helping them up or comforting the crying child would ruin all the hard work they put in to portray him as a sociopath.
Then, Lois and Clark proceed to kiss a lot, for her because he saved her life and because underneath all her capable exterior lies an object that indiscriminately desires affection, and for him because she's the only human he sees enough of himself in to think he cares about. Also, he's hired as a reporter now despite no previously shown experience in the field. Teehee, he thinks, I've got glasses on now, and he smiles at the private joke, smiles for the first time in over 200 minutes. Credits.