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He's really not that good. I don't know what people see in him. Occasionally he flows well.Nah TML wasn't that good lyrically.. lol
Drake is getting better though, idk what you sayin. He started droppin **** after his album that was better than what was on his album. You're forgetting he's still a growing artist.
also, blu hasnt posted in nearly 25 posts, it must be a new record! lol
Someone check if he's alive.
hahah i'mma kill you mofos :rocket:!!!! i was helping my friend move so i couldn't get on yesterday lol. i have to admit, that's like the first time the thread moved pretty **** quick and i didn't get to post anything . had to read through 3 pages of ****. fortunately, all i missed was.........Drake vs Immortal Technique???Blu must have been kidnapped.
wait, is that you? which one are you?http://www.last.fm/music/Bonify
Always fresh man. New talent stemming from the Smash community is always something to give a listen too.
sometimes I have to agree with thisJane what in the world was that?
America <<<
"The world's back on my ****, I'm Mike Vick'n it"
Well it was already pretty fragile from the Sigel days. I have no idea how they are now although they never really did collab after that signing, still wondering what happened to that. Would be an amazing beef if it ever went down now, at least from an NY perspective. No question they're the top 2 dogs in NY currently.
Not to mention Nas. He's still around, you know.Jada and Jay as top 2?.....i see banks somehow squeezing his way into there....he's pretty much the only reason g-unit has any buzz right now, aside from 50 twittering it up.
True, but only because New York was the origin of recorded hip hop, so every early artist was from there. Now there's diversity. There's a lot of west coast and southern rap, and even some midwest rap.NY isn't really as live as it used to be.
Lmao @ the thought of finding a dope *** rapper from wyoming LOLNot to mention Nas. He's still around, you know.
True, but only because New York was the origin of recorded hip hop, so every early artist was from there. Now there's diversity. There's a lot of west coast and southern rap, and even some midwest rap.
Lol, it would be fun to see if we could find a major rapper from every state.
Yeah, Wyoming, Oregon, Utah, Montana, and Alaska would all be really hard, lol. Oh also some midwest states like Nebraska.Lmao @ the thought of finding a dope *** rapper from wyoming LOL
If "Jay is just Jay", can we not say Nas is just Nas?Jay is just Jay so it would just be interesting to see that battle.
Me too.i want to broaden my horizons to international hip hop :[
aussie hop, bruh bruh!i want to broaden my horizons to international hip hop :[
Well, we don't really have to hypothesize over what a Jay Vs. Nas beef would be like because they had one and it birthed some awesome tracks.Yeah, Wyoming, Oregon, Utah, Montana, and Alaska would all be really hard, lol. Oh also some midwest states like Nebraska.
If "Jay is just Jay", can we not say Nas is just Nas?
Me too.
well someones been being poisoned by the radio havent they?bruh bruh!
No, my quote was in response to someone who said Jada and Jay are the kings of New York ans said that Jada was king because the whole hood is behind him and Jay is king because "Jay is just Jay". And I'm asking why Nas isn't being considered by him as one of the "kings" of New York.Well, we don't really have to hypothesize over what a Jay Vs. Nas beef would be like because they had one and it birthed some awesome tracks.
I like this entire post.Post this here so it doesn't get lost in the longest post ever.
Wiz spends $10k on weed a month loooooool.
Also Lloyd Banks Ft. Kanye West, Swizz Beatz, Ryan Leslie & Fabolous “Start It Up”
Meh.
Also,
From: Nas
To: LA Reid, Steve Bartels, Steve Gawley, Michael Seltzer, Joseph Borrino, Chris Hicks
Subject: PUT MY **** OUT!
Peace to all,
With all do respect to you all, Nas is NOBODY’s slave. This is not the 1800′s, respect me and I will respect you.
I won’t even tap dance around in an email, I will get right into it. People connect to the Artist @ the end of the day, they don’t connect with the executives. Honestly, nobody even cares what label puts out a great record, they care about who recorded it. Yet time and time again its the executives who always stand in the way of a creative artist’s dream and aspirations. You don’t help draw the truth from my deepest and most inner soul, you don’t even do a great job @ selling it. The #1 problem with DEF JAM is pretty simple and obvious, the executives think they are the stars. You aren’t…. not even close. As a matter of fact, you wish you were, but it didn’t work out so you took a desk job. To the consumer, I COME FIRST. Stop trying to deprive them! I have a fan base that dies for my music and a RAP label that doesn’t understand RAP. Pretty ****ed up situation
This isn’t the 90′s though. Beefing with record labels is so 15 years ago. @ this point I just need you all to be very clear where I stand and how I feel about “my label.” I could go on twitter or hot 97 tomorrow and get 100,000 protesters @ your building but I choose to walk my own path my own way because since day one I have been my own man. I did business with Tommy Mottola and Donnie Einer, two of the most psycho dudes this business ever created. I worked well with them for one major reason……. they believed in me. The didn’t give a **** about what any radio station or magazine said….those dudes had me.
Lost Tapes is a movement and a very important set up piece for my career as it stands. I started this over 5 years ago @ Columbia and nobody knew what it was or what it did but the label put it out as an LP and the fans went crazy for it and I single handlely built a new brand of rap albums. It’s smart and after 5 years it’s still a head of the game. This feels great and you not feeling what I’m feeling is disturbing. Don’t get in the way of my creativity. We are aligned with the stars here, this is a movement. There is a thing called KARMA that comes to haunt you when you tamper with the aligning stars. WE ARE GIVING THE PEOPLE EXACTLY WHAT THEY WANT. Stop throwing dog **** on a MAGICAL moment.
You don’t get another Nas recording that doesn’t count against my deal….PERIOD! Keep your bull**** $200,000.00 fund. Open the REAL budget. This is a New York pioneers ALBUM, there ain’t many of us. I am ready to drop in the 4th quarter. You don’t even have **** coming out! Stop being your own worst enemy. Let’s get money!
-N.Jones
i'll go through these in a second.Mega Post
Cheah.From: Nas
To: LA Reid, Steve Bartels, Steve Gawley, Michael Seltzer, Joseph Borrino, Chris Hicks
Subject: PUT MY **** OUT!
Peace to all,
With all do respect to you all, Nas is NOBODY’s slave. This is not the 1800′s, respect me and I will respect you.
I won’t even tap dance around in an email, I will get right into it. People connect to the Artist @ the end of the day, they don’t connect with the executives. Honestly, nobody even cares what label puts out a great record, they care about who recorded it. Yet time and time again its the executives who always stand in the way of a creative artist’s dream and aspirations. You don’t help draw the truth from my deepest and most inner soul, you don’t even do a great job @ selling it. The #1 problem with DEF JAM is pretty simple and obvious, the executives think they are the stars. You aren’t…. not even close. As a matter of fact, you wish you were, but it didn’t work out so you took a desk job. To the consumer, I COME FIRST. Stop trying to deprive them! I have a fan base that dies for my music and a RAP label that doesn’t understand RAP. Pretty ****ed up situation
This isn’t the 90′s though. Beefing with record labels is so 15 years ago. @ this point I just need you all to be very clear where I stand and how I feel about “my label.” I could go on twitter or hot 97 tomorrow and get 100,000 protesters @ your building but I choose to walk my own path my own way because since day one I have been my own man. I did business with Tommy Mottola and Donnie Einer, two of the most psycho dudes this business ever created. I worked well with them for one major reason……. they believed in me. The didn’t give a **** about what any radio station or magazine said….those dudes had me.
Lost Tapes is a movement and a very important set up piece for my career as it stands. I started this over 5 years ago @ Columbia and nobody knew what it was or what it did but the label put it out as an LP and the fans went crazy for it and I single handlely built a new brand of rap albums. It’s smart and after 5 years it’s still a head of the game. This feels great and you not feeling what I’m feeling is disturbing. Don’t get in the way of my creativity. We are aligned with the stars here, this is a movement. There is a thing called KARMA that comes to haunt you when you tamper with the aligning stars. WE ARE GIVING THE PEOPLE EXACTLY WHAT THEY WANT. Stop throwing dog **** on a MAGICAL moment.
You don’t get another Nas recording that doesn’t count against my deal….PERIOD! Keep your bull**** $200,000.00 fund. Open the REAL budget. This is a New York pioneers ALBUM, there ain’t many of us. I am ready to drop in the 4th quarter. You don’t even have **** coming out! Stop being your own worst enemy. Let’s get money!
-N.Jones