I'm glad to hear that. I've never taken a screenwriting class of any kind; I simply tried to apply my creative writing classes and decades of reading/watching media to pretending I knew how to script. But it sounds like I'm doing it?
I have plans all the way to the end of our series. I know every plot detail and gag of episodes 8, 9, 10, 11 and 12 while I'm working on episode 7. It kills me a little inside when I think of a good running gag an episode too late and can't retroactively patch it in.
After you're done with the class, I'd honestly like to see your script sometime. I don't know when, life is hectic right now, but sometime.
That's mostly me, too. Despite my education and being, well, a creative writing major and taking many classes about writing, most of what I know is self-taught through reading/watching/playing things, just like you. My creative writing classes were more about
literary fiction, that is, fiction that doesn't focus on plot or pacing or anything you see in most commercial stories or movies. There's some great stories there, but boy did I feel out of place writing a science fiction series in those classes.
My series writing class is finally where I feel at home, though most of what's being discussed is stuff I already know, despite not being in the film school like everyone else in the class. Heck, today's script was by a young man from Mexico, multilingual, writing a dramedy about the nature of love, on an interestingly chemical level. One thing he mentioned as something he wanted to do was have it take place in both the US and Mexico, but his entire pilot took place in New York City... for no other reason than it's New York City, by his own admission. And all the characters in the script were also pretty same-y in terms of culture and background, which didn't serve that idea well.
Cue my professor discussing how each character should be from a different culture, but in a meaningful and honest way that really explores that culture naturally, especially given that it's dealing with love and chemistry, which are two universal concepts.
...which is exactly what I already did in my script I finished two days ago. The main human characters are Polish, occasionally speak Polish, have Polish names, and are knowledgeable about Polish culture. The whole concept is owed to my girlfriend who is of Polish heritage and gave me the idea (and the characters) in the first place, but I'm the one who took it several steps further and did a good deal of research into things, coming up with all of these cool ways to work Polish culture and history into the script. I even make reference to some really obscure but notable Polish books that I never knew of before. Most of all, given the setting, conflict, and themes of the script, there's few cultures in the world more fitting than Polish culture to put in that position. It all works so perfectly.
And then last class we had the story where none of the characters had any backstories, goals. motivations, including the main character, and we had to have a discussion about how characters are the most important part of a series and all that. Meanwhile, my entire pilot is about the characters, their backstories, goals, and motivations.
Needless to say I am
very curious as to how my workshop will go. Since most of the issues we've discussed with everyone else's scripts are ones I actively avoid. I know my script isn't perfect, and I do plan to rewrite some things once I know how to rewrite them (particularly the big dialogue scenes), but as a whole, I apparently know more about this stuff than any of my classmates do, so far. Which is weird, because almost all of them were in the series development class, while I'm coming from classes where we learned and talked about completely different writing concepts.
Anyways, good to see that you have the mind of a series writer and know where you're going. Especially since you're doing an abridged series, and from what I've seen of the few I've watched, it doesn't seem like some of them put too much thought into what comes next, especially when they abruptly die out or go on an unofficial hiatus without explanation. I'll have to check yours out when I have time.
If you and other people are interested, I'll share my script when I'm done with the class. After I have it for workshop, I have to a rewrite before the end of the semester, but I'm not expecting the rewrite to be a drastic overhaul, like for some people's scripts. I might just need to tweak some things, but I don't anticipate any major changes.