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That's debatable. There is a method that critics use, I can't remember the name right now, but its basis is that if you see a message in any type of artwork, literature, etc then the message is there regardless of what anyone thinks. That even includes the creator of the piece. Robert Frost was a huge target for this because he always denied his works having any meaning but people still took stuff out of it. I don't agree with this method at all but it exists.
whats RR? <.<
>_>Round Robin.
DD link me to this event! (if there is one, if not give me address). i need to stop being mopey and go out and meet people more :0
8th plz k thnx
Vernon place.
PR = power rank? or something else? <_<
You are correct my sexy manny-kun.
I agree 100%, I was just saying that some people may see a message that the auther, etc didn't attend but they believe as long as they see the message it exists. I think is stupid, I even had an arguement with a my com 1102 professer about this, she basicly said that I was wrong and she is right because she has a doctorate >.>
As opposed to a movie where people are brutally tortured and forced to eat feces. BUT IT'S OK BECAUSE IT'S A METAPHOR!!1
I agree 100%.
He could've conveyed his message a "limitless" number of ways, but he chose to convey it through shock value. Why would he do that unless he was trying to shock his audience?
I don't agree with that the slightest bit.
Don't forget FMA. The dubbing for that show was absolutely fantastic.Bleach dubs are absolute crap. Why did dubs decide to go bad.Kenshin, Bebop, Trigun all had good dubs (imo). What happened? T_T
Ippo pisses Excellence.
Agreed .
lol at the ending, great vid
It's like n64 combos.
Yes, it is not only okay, but it's necessary. Stop saying he did it through "shock value" because you're simply wrong, he did it through the most necessary means ever captured on film. You clearly know nothing about the director. Stop arguing about a film you've never seen because you can't put what little I've revealed to you into context. It's necessary because in order to show people just how awful facism really is, you have do it in the most extreme and disgusting way possible, because that is what facism is. How easily people are quick to obey authority when they are afraid. How quickly they allow themselves to be ***** and sodomized and eat crap. If you don't show it in the most extreme way, then it discredits the directors true feelings toward facism, hence why it was NECESSARY. Also keep in mind that this film is based on truth. Things of this nature have literally been done in facism, so how can you deny someone from making a film about it, that's like saying Spielberg made Schindler's List for "shock value". You're still my favorite ginger, but i won't argue about this film anymore.
I've been arguing with you about a film that is not open to any and all interpretation. OBVIOUSLY if an artist leaves their work entirely open to interpretation, then like I said, there are good interpretations, and stupid ones. It's all a matter of taste (which is a very sensitive subject, blah blah) But in the end, there is good taste and there is bad taste, and a little in between. This is all dependant upon aesthetic value. If an artist doesn't have a message to convey then it doesn't matter, as long as the person gained aesthetic value from it. But what I've been talking about is material that is not open to free interpretation, so if you're finding aesthetic value there that the artist didn't intend...then i'm calling that person an idiot. The guy who walks out of "Saw" and say's "you know, that was a great movie in relating torture with the rise and fall of the Roman Empire", is an idiot. Remember Billy Madison. Remember the Puppy Who Lost His Way....I rest my case.
