I don't really like to post in regard to my own stories and explain things that I'd rather leave up to the reader, but since this is a contest, I feel I need to defend myself. Note that I've mostly only quoted M3D but this is a general thing for all readers/judges.
GoldShadow (17/40)
Team Construction (3/10)
I… uh… I didn’t get this one. The powers were random but you didn’t seem to find a way to make the fit together or even a reason beyond the “hand of God” government plan for them to be together. I did like that Dr. Solo’s powers were the antithesis of the big bads… but boy is that boring considering the absorption powers of Major Clay.
What you didn’t get? They were forced together, allowing me to avoid the potential pitfalls of “they decide to join up and fight crime” and the like. The shady “conspiracy,” the fact that they were all part of a cohort in some genetic experiment, the erasure of their lives to force them together (for reasons the reader is not told), not to mention that they clearly form a team whose abilities complement one another (ie, how each one demonstrated their power to free the others in the justification). I tried to put in enough details about the “experiment” to show that there
was some kind of coherent rhyme and reason to the plan, without giving away enough details to make it clear what the plan actually was. Dr. Solo’s powers being weak compared to the Big Bad is a valid criticism, but I tried to address it to an extent by pointing out that a) he’s the leader of the group and b) he’s a professor of genetics. Considering his intelligence and knowledge of genetics, and the fact that they’re all part of some genetic experiment, this is meant to suggest he’s more of an intellectual leader/strategist and a
Non action guy who also happens to be immune to the Big Bad’s power.
Creativity (3/10)
So I felt like the word “average” and its synonyms appeared a lot in your descriptions. There were a lot of dead parents/loved ones, and although its true that the car accident is the natural predator of those that spawn super-powered individuals, it felt a really unoriginal. Now, considering that the government was behind the creation of these powers, maybe there’s a reason for all the dead loved ones, but you didn’t take the opportunity to play on the genre trope with that detail. You just rehashed it. Also, a black boxer from the inner city raised by his Gramma who talks in slang? REALLY? Son, I am disappoint.
Valid criticism about my descriptions. However, I believe you missed the point of the dead parents. Is it possible it was part of the ‘government plan’ and all that? Perhaps, but I intentionally didn’t go into detail on that because it wasn’t relevant to what I wanted to achieve with this short piece of work. The point of the dead parents was to
subvert the traditional tropes. Think about it.
Usually, dead parents spawn superheroes, right? The tropes associated with this include:
Conveniently an orphan (character’s parents happen to die, leaving him free to do what he or she wants)
Deceased parents are the best. (character’s parents die, but they were good parents, and this has an influence on the character for the rest of his or her life; the parents continue to play a role in the story or plot or character’s life)
Death by origin story (somebody close to the character dies, inspiring the character to pursue justice/revenge/etc… think Bruce Wayne/Batman, **** Grayson/Robin, The Punisher, Peter Parker/Spiderman)
Orphan’s ordeal (the plot focuses on the difficulties faced by an orphaned character)
None of these apply to my story. Dr. Solo had both parents. His sister’s death from cancer prompted him to become a cancer researcher, but this has nothing to do with him getting superpowers or becoming a “superhero” (term used loosely) or becoming part of a group.
Mrs. Roboto had both parents and grew up well off. Side note: Subverts the applicable “rich kid” tropes as she’s pretty normal as far as all indications in my ent
ry go (Rich *****, Rich Idiot With No Day Job, Rich In Dollars Poor In Sense, Spoiled Brat, Socialite, Spoiled Brat, Spoiled Sweet, Upper Class Twit), except for one: Non Idle Rich, and even that one is technically subverted because the vast majority of “non idle rich” are men (Thomas Wayne, Tony Stark, etc). My character is a woman. A woman who is really good at math (compare to Reed Richards/Mr. Fantastic, Tony Stark, Bruce Banner, etc., all men).
Freeze Frame was raised by a grandparent (which does reinforce the
Raised by grandparents trope), but there’s no indication that not having parents drove him to
do anything different. None of his actions can be explained by the dead parents thing.
Tigress’s parents die, but a) subverts Raised by grandparents because she’s raised by her aunt and uncle, who both live and b) there is no indication that the death of her parents had any effect on her gaining powers or finding out she has them.
Fast Pass is an interesting one because his parents die, he gets adopted by good parents, and then
they die too. A second chance at life, taken away. Does a double-take on a common trope subvert the trope? I’d say yes, to some extent. More importantly, he gets passed around foster homes but this is not the focus of the story (subverts/avoids Orphan’s ordeal) and again, there is no indication that the death of his parents had anything to do with him gaining or using his powers. In fact, his parents are never mentioned again. There’s no indication in my description that he’s been inspired by their death, or that he thinks about them, or that he wants to find out who they are, etc. Also, he subverts the
heartwarming orphan,
evil orphan,
enfant terrible because he a) is definitely not heartwarming, b) acts out like a teenager but is by no means “evil”, and c) not a psychopath, which is the definition of enfant terrible. He’s just a regular, neutral guy with an attitude; he finds out about his powers and he doesn’t become a villain or a hero. He just uses his powers to fend for himself, to
steal but only what he needs (this leaves room for some moral ambiguity).
What I was going for here was to subvert and mock the “dead parents” tropes that are omnipresent in superhero comics.
None of the dead parents had any effect on the children as far as inspiration or superpowers go! This is why I didn’t suggest the government plot could have been involved in their deaths, then that would given the impression (whether false or true) that their parents’ deaths did have something to do with making them who they are. I was going for the opposite effect to subvert that trope.
Also, I’m not entirely clear on what you’re getting at with Freeze Frame, the black fighter (not boxer!)? Are you saying it’s a) stereotypical or b) racist? There are a lot of poor, inner-city neighborhoods around the country. In a lot of the families in these neighborhoods, the parents are absent (usually the father). Some of these neighborhoods are Asian, some are white, some Hispanic, some black, some native American, etc. Would it really have made a difference what color I made the character? Fundamentally, no; he would’ve walked, talked, and done the same things. I made him black, knowing I was walking a precarious tightrope, because I was kind of hoping to play off the reader’s own stereotypes. When most people, off the top of their heads, imagine a well-built black street fighter raised in an inner city neighborhood, they probably think of him as unfriendly, aloof, intimidating. But when we get to the story/narrative, it turns out he’s a pretty sociable, even goofy, guy (ie, he fights for a living but he’s not such a bad guy). However, I can understand if this didn’t show through and my choice came off as questionable.
Also, Dr. Solo subverts a number of tropes. Though he’s a scientist, he is the opposite of a
Science Hero or an
Omnidisciplinary scientist. He’s a
good guy with a doctorate, not the usual Dr. Doom, Dr. Octopus, Dr. Evil, Dr. No, Dr. Zaius, Dr. Hannibal Lecter, Dr. Jekyll, etc. He’s not the same as heroes with a doctorate, like Reed Richards who goes by
Mr. Fantastic, or Bruce Banner who is
The Hulk, because he goes by
Dr. Solo. The little comment at the end of my story (“I have a PhD…”) was meant to play off this and the
I’m a doctor, not a placeholder trope.
Writing Quality (6/10)
Fortunately, you could write clearly and you did give me a story to follow, even if it wasn’t particularly original. I could tell most of what was going on and I saw the set-up for future adventures. I wasn’t a fan of the “just as we planned” escape ending, but you did well making me feel like something bigger and more sinister was going on, so points for that!
Enjoyment (5/10)
I actually started having fun counting all the genre tropes you trotted out and used off-the-shelf without even trying to subvert them. I can tell you didn’t take the time to review the tvtropes website I linked to and I think it might really help you if you ever try to work within a genre like this again. Action/adventure stuff has a lot of really tired old tropes that either have to be used perfectly to grab the audience (see films like: Gladiator and Avatar) or subverted/reinforced cleverly to catch the readers off-guard (see: Kick-*** and Watchmen). I did enjoy your justification on its own, but again, play with the tropes. Don’t just use them blindly!
I’m actually quite familiar with the idea of tropes and the TVtropes website itself. I’ve browsed TVtropes for countless hours over the past several years, and I’m probably more familiar with all the different kinds of tropes and clichés than most people. My goal was to craft a story with two layers.
All the tropes and subversions I put in were intentional! Every aspect of my Big Bad and the bad guys was intentionally stereotypical and clichéd. Major Clay? The name itself is indicative of that, although the name is also the only “bad guy” attribute that subverts the usual. I thought it’d be cool if he didn’t have an actual “code name,” as I feel that’s overused… so he’s literally an army major with the surname Clay. See: Captain America, Captain Falcon, Captain Marvel, Captain Nazi, Major Glory (lol), Captain Planet, etc.
As for everything else: he’s big, muscled, intimidating, special forces (typical cheesy 80s movie villain), evil… a
Classic villain. Also, his father was killed in combat while his mother was pregnant (reinforces
New child left behind). His mother died from childbirth (reinforces
Death by childbirth). There’s somebody who trained him, who even says he
created him at the end (Death by origin story? Perhaps!), and that is Colonel Drake, who’s possibly a
Bigger bad and most definitely confirms the
Rule of two. Plus, Major Clay showing up in front of the door just as our five heroes are about to escape, uttering a corny line, and then showing his incredible power?
Men in black showing up to capture our heroes? The contrived shady conversation at the end? The “All according to plan” remark? That remark, by the way, reinforced
Tempting fate, What could possibly go wrong, and
nothing can stop us now, suggesting that soon things would not go according to plan and that the fivesome would become a thorn in their side. It is, however, also ambiguous because it
subverted unspoken plan guarantee; it was spoken by a villain, first off, and since the plan was not described, this could suggest “maybe it actually
will continue to go according to plan.” Either way, just about everything about the baddies is a clichéd, pre-made trope. How could that be anything
but intentional? Don’t get me wrong, I like Major Clay. He’s a no-frills bada** Big Bad. But he (and all the bad guys) are
supposed to be clichés.
The way I crafted my story, there was the external/obvious layer (trope-y bad guys, parent deaths, all in all a typical superhero story), and then there was the delicate interior layer I juxtaposed beneath it (subtle subversion of all those other tropes I discussed above).
The Jacks Five - 27
Team Construction - 6 - My first concern is why they would be basing their team name off of their real names as opposed to their code names.
This was part of the "less serious" aspect of the story. I just thought it'd be a nice addition, as my story and overarching exterior design weren't meant to be serious.
Also, for the science savvy I subverted
Lego genetics by suggesting that these traits were engineered into them since before they were born (I included the characters’ ages for that reason, along with that “Thirty-six long years in the making” comment by Colonel Drake… though I understand this one was pretty ambiguous and even I probably wouldn’t have spotted it had I not written it).
Also, the entire thing is a subversion of
For Great Justice. The characters don’t do what they do out of a sense of justice or to fight crime, but because they were forced to. In fact, one of them used his power to fight and another to steal. Moreover, it’s not even clear
what they do after they’ve been forced to join together. Do they use their powers for good while also fighting this shady organization? Do they lay low and just use their powers to run from Drake and Clay? Etc.
Also, I like Scav's story and have read a lot of his work, which I have also really enjoyed. But how did you guys miss some of the huge, blatant, obvious tropes he used in his story?