cutter
Smash Champion
8 years of Bush was already bad enough. I don't think the country could have tolerated another 4 years of a de facto Bush.This is why I supported McCain
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8 years of Bush was already bad enough. I don't think the country could have tolerated another 4 years of a de facto Bush.This is why I supported McCain
Sadly, the Obama Administration is continuing many, many Bush policies. Still, the lesser of two evils, I think. I don't want to see a world where Sarah Palin has that much power.8 years of Bush was already bad enough. I don't think the country could have tolerated another 4 years of a de facto Bush.
What point? He just copied and pasted what Luigitoilet said earlier.Editing the huge font size you got there, but you do make a good point.
what's the deal Obama? this guy is pirating my post, arrest him!This is already happening. Musicians make the vast majority of their money through touring and merchandising and almost none on record sales. The record store is dead, and musicians who are intelligent at all realize this and capitalize on it. Radiohead and NIN are the big examples I can think of, but plenty of musicians tour their butts off to make that hustle. That's how it should be. Musicians should be playing their music as much as possible. Nowadays, the album is put out to advertise the tour. It used to be the other way around. Honestly, I see very little wrong with it.
unfortunately in the US voting for the green party or any third party is basically like not voting at all. our two-party system is f*cked.this is why i vote for green party.
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:'(
I blame this on our founding fathers with their Federalist and Anti-Federalist shenanigansunfortunately in the US voting for the green party or any third party is basically like not voting at all. our two-party system is f*cked.
Make 1000 downloads per song per week (and that's pretty low), and have 10+ songs, that $.02 per download becomes $200 a week, a reasonable profit.If you buy a song off of iTunes for $.99, the artist gets about $.02 - $.09, depending on the record label.
Just thought I'd point that out.
Make 2 downloads per week (and that's pretty low), and have 20+ songs, that $.02 per download becomes $.80, a terrible profit.Make 1000 downloads per song per week (and that's pretty low), and have 10+ songs, that $.02 per download becomes $200 a week, a reasonable profit.
For big name brands that get AT LEAST ten million downloads during their lifetime per song they've made and have at least 10 songs, that's $2 million, more than most make in a lifetime.
Does that $0.02 per download look dumb now? Not to most people when they look at it that way.
...Do you have any idea how many bands there are out there?Honestly if they can only get 2 downloads per song per week and they've made that many pieces, they really would have to be terrible or extremely obscure (and I mean REALLY terrible, if not even a 100 people would want to listen to the full songs unlimited for a $1 when over a billion people listen to music online). That's where videosite "advertising" helps, to lift some of that obscurity.
It isn't. I just wanted to show how that logic doesn't apply to every band.How is not paying for their music any better?
There's a difference between listening to music that someone else is playing and taking music for yourself to keep without the permission of whoever owns the rights to that music. It's disingenuous of you to act like you aren't aware of the difference.my argument is i don't give a **** and I pirate, never fails.
your music analogy fails, too, because you can listen to music without owning it. i.e. radio, youtube, TV, etc. not sure if anyone puts their journal on TV... except maybe Doug.
This is totally dumb and irrelevant. For one thing, it is precisely the bands who create a unique sound that are having the most trouble of all as they have to draw in listeners who are not familiar or keen with the music they make. In fact, many very popular bands directly emulate other very popular groups.Too many that try to directly emulate others rather than carving their own paths honestly. >_>;
Unfortunately, this is just an anecdote.This idea that "pirating is just making a copy, so no one is losing anything" is BS. I know plenty of people who used to buy music all the time, but now they never buy music because they illegally download all the music they want. Are you telling me those people would just go without having music if they couldn't download it for free? They used to buy music before, so there's no reason to think that they still wouldn't be buying it if they weren't able to steal it.
I don't know why you keep saying pirating in parentheses. Are you saying that it isn't pirating? If it's not, then what do you consider pirating?GoldShadow
I can counter it with my own anecdotes. Me, personally? I never bought or listened to music. The first music CD I ever owned was an album that a friend burned to a CD-R and gave to me. After I listened to that, I began downloading lots of music ("pirating", if you will). This was back in high school, and it's what got me into music in the first place.
Since then, I've expanded my horizons and have bought dozens of CDs, albums, and vinyl. In other words, "pirating" actually got me to listen to lots of music and buy from artists I really enjoyed. So to recap: without "pirating", I would never have gotten into a lot of music and would never have bought anything. Thanks to "pirating", I not only have a massive music collection, but I've gone out and bought a lot of music too.
Not that this matters, because like I said, it should be the artists' decision as to whether or not they want to release their songs for free. But just out of curiosity, what numbers are you talking about? You can't just make a statement like that without providing anything to back it up.GoldShadow
On the whole, anecdotes aside, the numbers tend to support the idea that artists have not been hurt.
Cracking down on pirating has nothing to do with socialism. If anything, the people who are pro pirating are closer to socialists, because they feel entitled to the product of someone else's labor, which is pretty much what socialism is.All Obama is doing is trying to push for more government control. He wants to make us a socialist state with control over anything he can get his hands on healthcare internet housing GM anything, but once the government can start to regulate the internet then he is dangerously close to regulating media, and information in general.
This was not my original point. My point was-Have you gone back and bought EVERY song that you've ever downloaded illegally? If not, then are you sure that the amount of money that you've spent "because of pirating" is greater than the value of all the songs that you haven't paid for?
The pink elephant on the sign is a strawman.That would be like if you owned a store, and I painted a big pink elephant on your sign because I thought it'd make more people notice it. Even if more people did notice it, that still wouldn't justify me vandalizing your sign without your permission.
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Not that this matters, because like I said, it should be the artists' decision as to whether or not they want to release their songs for free. But just out of curiosity, what numbers are you talking about? You can't just make a statement like that without providing anything to back it up.
If no one was being hurt by pirating, then why would anyone complain about it? If it were true that artists actually benefited more from pirating, like you implied with your story about "pirating getting you into music", then why do you think there are people trying to put an end to pirating? What benefit is there to fighting pirating if it's not hurting anyone, and only helping them?
Yeah, but if the music you've stolen is of greater value than the music you've bought, then it would have been better if you had never pirated or bought any music at all.GoldShadow
This was not my original point. My point was-
without pirating: I would not have bought any music
with pirating: I bought lots of music
That's not a strawman, it's an analogy. A strawman would be if I was trying to say that you were actually arguing for painting pink elephants on peoples' signs, or if I was making an analogy that didn't fit your actual argument. If you think it's the latter, then explain why you don't think the analogy fits instead of just dismissing it without an explanation.GoldShadow
The pink elephant on the sign is a strawman.
You said that the numbers show that the industry hasn't been hurt by pirating. If there's been a 7% drop in music sales, then I'd say that the industry has been hurt.GoldShadow
"In one empirical study designed to establish causality between p2p downloads and sales, Felix Oberholzer of Harvard Business School and Koleman Strumpf of UNC-Chapel Hill examined a large dataset of file sharing during the last part of 2002. To their surprise, they found that downloads had an effect on record sales that was 'indistinguishable from zero' (Oberholzer and Strumpf, 2004: 3). Even using their most pessimistic estimates, they conclude that it would take 5000 downloads to displace one sale. As Lessig (2004: 70-71) describes, there are other possible causes for the drop in US sales besides piracy. In 2002, the RIAA reported that CD sales had fallen by 8.9 percent, from 882 million units to 803 million units, and revenues fell by 6.7%. But there was also a 20 percent drop in the number of new CDs released since 1999. Also, from 1999-2001, there was a 7.2% rise in CD prices. In the same period that the RIAA estimates that 803 million CDs were sold, 2.1 billion CDs were downloaded for free (Ibid: 71). Lessig points out that if each download were equivalent to one lost sale, as the RIAA assumes in assessing damages, we would be witnessing a 100% drop in sales, not a 7% drop."
Why should the record industry have to adapt to people stealing from them? That would be like BP saying that the seafood industry should have to adapt to oil being spilled in the ocean. They shouldn't have to adapt to oil spilled in the ocean because there shouldn't be oil spilled in the ocean, just like the record industry shouldn't have to adapt to pirating because there shouldn't be pirating.GoldShadow
The reason people keep complaining about piracy is because a) the people complaining are the ones who think it hurts them, that is, the record industry, and b) a lot of people don't understand the economics behind pirating. It's mostly the record industry that's making a big deal about it, because they know they're obsolete and don't want to adapt to a changing technological age.
What a ridiculous comparison.Why should the record industry have to adapt to people stealing from them? That would be like BP saying that the seafood industry should have to adapt to oil being spilled in the ocean. They shouldn't have to adapt to oil spilled in the ocean because there shouldn't be oil spilled in the ocean, just like the record industry shouldn't have to adapt to pirating because there shouldn't be pirating.
Yes, labels are going obsolete. **** happens, industries go obsolete, people lose jobs. That's life.