So this comprised the Snail Girl Mayoi arc.
The show still isn't doing much for me at the moment. I noticed that there was a lot of linguistic humour (more so than in episodes 1-2), though as an illiterate in respect to the Japanese language, I couldn't in the least bit appreciate it.
Koyomi is proving rather dull. He's rather affectless, and the only real personality he exhibits is when he reads too much in the intents of others. His (over)reactions to Senjougahara's word games (and the games themselves) bring no smiles to my lips, and aren't all that more entertaining. The multiple insinuations and allegations of perversion are also comically tepid (though I am aware that Japanese culture is far more concerned with propriety (social and interpersonal) than we here in the Western World are).
Senjougahara's consistent toying of Koyomi is also fairly hollow. From a storytelling perspective, I do appreciate that her circuitous behaviour is attributed in part to her past. It is nonetheless not really engaging. And it doesn't help to make Koyomi seem any less slow.
She did cut to the chase by the end of episode 5, however, with the romantic confessional (and with Koyomi's reciprocation). It's good that they don't this romance plot out, especially given how much Senjou skirted and danced around the issue all throughout this arc.
Speaking of the arc, it is highly reminiscent of Clannad (which I resolved to watch all the way through to get the full Slice of Life experience). You have two male protagonists that have to Collect the Girls (i.e. focusing on befriending a new girl and/or helping them with their troubles) over a series of short, successive arcs. Mayoi is rather similar to Fuko, especially in the similarities in their troubles. Mayoi herself was whatever, though much like Senjou, she became a bit more interesting when her backstory was revealed.
I am appreciating the rules of these random Gods/Spirits/Whatever, in how they relate to the troubles and traumas of people. I liked how Koyomi's family troubles were tied into Mayoi's situation, tying this whole arc with a thematic bowtie. And I dug that epic This Means Business track they brought out a few times (
this one). Though given that this is Slice of Life (which is by nature not very high-octane), I find the track's use to be pretty droll in that context. XP
I suppose I see the same thing in Clannad as I do in Bakemonogatari. While the latter is slightly more interesting due to the mild supernatural element, I'm having a hard time finding fictional characters interesting enough in their own right to just watch them interact or talk or lament their woes and hardships.
It is becoming apparent that the procedural foundation of the Slice of Life genre is not something out of which I can get much value. It's why I dropped Watamote (though admittedly, that series' extreme awkwardness didn't make it very accessible from the beginning).
I do intend to finish the series, if only to say I did watch it. And I'm already a third of the way through anyway. Let's see what the next arc will bring.