LumpyCPU...
Smash Hero
so... scared...
will post later...
will post later...
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This. I have the novel completed on my desk. I have started editing the first half (namely because I lost the copy my girlfriend edited of the second half), and yet, I cannot force myself through it. As I read other stuff, I realize how flawed my writing was/is and how badly I wrote this first draft.My career is dead in the water. I could be writing right now, but I'm pissing about all over the Interbuttz. Because I can.
It is a good feeling, but I'm suffering from something different now. I've written just over sixteen thousands words this week in my latest new, fresh draft. But I've hit a point where I'm questioning the pace I'm moving with.As for everyone else who, like me, are guilty of not doing anything, isn't it the worst feeling in the world? You know what you have to do, but you just can't make yourself do it, so the guilt just keeps building until you feel worthless.
On the other hand, being freed from the guilt is as easy as cranking out a page or two. Why do we do it? All we have to do is write. That's it. Seriously, why in the he** do we torture ourselves?
I may sign up for this one. Are you going for a legit story/focusing on all that, or just writing a story until you hit a block, then adding filler/telling another story?I have really regretted only a few things so far in my life, but one of them really is dropping out of my 1st NaNoWriMo last year. I started for like two days and then quit.
I've been writing almost nothing lately but I've been writing down character ideas and development thingies for characters and a world, and plot happenings, and mumbo jumbo. I really want to hit NaNoWriMo hard this year so I don't lose so quickly like I did last time.
A month til it starts. :] I officially signed up a few days ago, which was something I didn't do last year.
All I can say is if the "shocking truth" is a major twist in the story that would be better suited as a part of the climax, then yes, you may be going too fast. If you think, and think, and think, only to realize you have nothing left to build up to, then I'm guessing that's the case. However, if there are other key elements to the plot that haven't been revealed, then maybe you're doing okay.It is a good feeling, but I'm suffering from something different now. I've written just over sixteen thousands words this week in my latest new, fresh draft. But I've hit a point where I'm questioning the pace I'm moving with.
First chapter, I introduce the existence of the main character. Then, I go to a city and introduce the other key characters. I then, through them, ultimately introduce the name of the main character. Amongst the introductions, I reveal the plot, that a portion of the country's people are infected, like RE. There's a small battle to sweeten things.
Second chapter, I formally introduce the thoughts and some of the past of the main character, and I pit him against the characters in a chapter that recalls his "sad past", but I leave it unanswered, for now. The chapter emphasizes that they all have interconnected history.
Third chapter, I reveal that one character has a tie to another, and that he "knows far more than he lets on". But I also reveal a shocking truth in chapter three and an assload of mysteries.
I feel like I'm going too fast. Ideas?
Chapters range 15-20 pages, prologue being only two pages, 1.5 spacing 12pt times new roman. Overall, with roughly two chapters and a prologue, I have 14,493 words (around 6500 a chapter). The book is going to be pretty big. I'm thinking it will be around 30-35 chapters.@Asaph: No way to really know. Depending how long your chapters are, that could be REALLY fast, but if the whole book is only 9 chapters, then you are doing fine. Can you possibly break your chapters down more into further scenes?
For seven years, my fantasy country, Ayen, has had its inhabitants infected by something called soldis. My book starts at the end of the seven years. Third chapter, a character reveals to the other that the infection was actually "planned, and by the person you and I know so well, _______." I think I've created TOO much of a mystery TOO early in the book.All I can say is if the "shocking truth" is a major twist in the story that would be better suited as a part of the climax, then yes, you may be going too fast. If you think, and think, and think, only to realize you have nothing left to build up to, then I'm guessing that's the case. However, if there are other key elements to the plot that haven't been revealed, then maybe you're doing okay.
How long of a novel were you aiming for? Were you hoping for a full-blown 300+ or more of a novella?
If the 'other stuff' you're looking at is published works, keep in mind that that stuff was also once a crappy first draft.This. I have the novel completed on my desk. I have started editing the first half (namely because I lost the copy my girlfriend edited of the second half), and yet, I cannot force myself through it. As I read other stuff, I realize how flawed my writing was/is and how badly I wrote this first draft.
I don't know if I will ever finish this revision at this rate.
Hm...And Asaph, start your story where the story starts, don't mess around only introducing characters and setting with minor conflicts for too long. If anything, I'd say put the revelation as early as you can, if that's what gets things going. Think of murder mysteries. Most of them start with the murder having already been committed, or open with it happening. Of course you don't always have to start with some major event and the revelation in your story might already be ion the right place. But you can introduce characters and setting along with the plot, instead of having to do that beforehand.
i would trust your experience... but it says "smash rookie" above your head.not to sound like an old man, but some of you hopefuls really should be going to school for lessons or tips.
i dated a girl who wanted to be a writer, and even tho she didn't even major in writing, college helped her figure out the basics as an undergrad. that being said, it takes time to develop a good book. a lot of you have the time and potential to do great stuff
i've started up a few novels myself, but it ain't easy. it takes discipline to finish something big.
24...you are an old guy, just like me--it's okay.not to sound like an old man, but some of you hopefuls really should be going to school for lessons or tips.
i dated a girl who wanted to be a writer, and even tho she didn't even major in writing, college helped her figure out the basics as an undergrad. that being said, it takes time to develop a good book. a lot of you have the time and potential to do great stuff
i've started up a few novels myself, but it ain't easy. it takes discipline to finish something big.
Yeah, but there are farther steps to take make a more solid copyright, correct? Like writing to the government for an official thing-o-mah-bobber. I'm not done writing anything of mine yet, so the whole publishing and copyright business, I still don't understand.That's good advice, Shadow-gate, but I'd like to point out that as literary works go, putting "copyright" on there only serves as a reminder. It's saying, "hey, you, don't forget, this is mine; don't steal it."
The cool thing about copyright is, once you've written it, you automatically have copyright over it. So long as you can prove that you wrote it (old drafts, witnesses, etc), then that's all you need to make a copyright claim.
In a way, it's like having something notarized. When you register copyright, the government is saying "Yes, we hereby declare that this person did indeed write this piece of eloquent prose."Wikipedia said:In all countries where the Berne Convention standards apply, copyright is automatic, and need not be obtained through official registration with any government office. Once an idea has been reduced to tangible form, for example by securing it in a fixed medium (such as a drawing, sheet music, photograph, a videotape, or a computer file), the copyright holder is entitled to enforce his or her exclusive rights. However, while registration isn't needed to exercise copyright, in jurisdictions where the laws provide for registration, it serves as prima facie evidence of a valid copyright and enables the copyright holder to seek statutory damages and attorney's fees. (In the USA, registering after an infringement only enables one to receive actual damages and lost profits.)
LOL, the word "series" has been thrown around when friends have discussed my manuscript, but no, the story itself wouldn't benefit from being split into different parts. It's just going to be long--really, really, long. I'll, of course, make significant cuts when I finish the first set of drafts, but I'm looking at something of pretty substantial size regardless.wow, 410 is quite a bit. that's halfway? is this an entire series?
This is great advice you guys. All my research and reading on the business of getting an agent and publication speak along these lines. Copyrights for unpublished manuscripts are generally frowned upon by all the people that matter.For our purposes as amateur writers, though, it's unnecessary. Putting "By [Your Name]" automatically earns you the same legal rights and provability as "© Your Name".
On a related note, don't put "© Your Name" when submitting to agents. They'll still read your work, but it looks amateurish and insecure.