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Again, the Grammys have sucked for a long time, nothing new here.
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Rob Zombie isn't hard rock?Best Hard Rock Performance
* "Inside the Fire" – Disturbed
* "Visions" – Judas Priest
* "Wax Simulacra" – The Mars Volta
* "Saints of Los Angeles" – Mötley Crüe
* "Lords of Salem" – Rob Zombie
Best Metal Performance
* "Heroes of Our Time" – DragonForce
* "Nostradamus" – Judas Priest
* "My Apocalypse" – Metallica
* "Under My Thumb" – Ministry
* "Psychosocial" – Slipknot
Inside the Fire, My Apocalypse, and Psychosocial (to a certain degree) are the only relevant songs up there. Since when was The Mars Volta considered Hard Rock? And why in God's name is Dragonforce even a nominee for anything other than "Universe's Worst Rock Band"? Something's wrong here.
I'd definitely say that Priest is metal. But Motley Crue is definitely metal, that's for sure.Rob Zombie isn't hard rock?
Mötley Crüe isn't hard rock?
Judas Priest and Ministry aren't metal?
I like a few Dragonforce songs, not a fan of them. But I would definitely not say "universe's worst band". From what I've heard, it's decent speed metal.And why in God's name is Dragonforce even a nominee for anything other than "Universe's Worst Rock Band"? Something's wrong here.
No, it's not. At all. By any means it's power metal, and terrible at that. The studio productions are alright, but the lyrics are shallow at best, and the songs are all extremely formulated. The only person with any sort of talent in the entire band is Herman Lee. Their live shows are terrible, add in the fact that the drummer uses a modded kick pedal that turns a fourth note into three sixteenth notes, and you have a terrible band. Also, annoying fanboys who think they're the most metal things since sliced bread make Dragonforce even worse.I like a few Dragonforce songs, not a fan of them. But I would definitely not say "universe's worst band". From what I've heard, it's decent speed metal.
Well. Crue is old school metal, but not by todays standards.I'd definitely say that Priest is metal. But Motley Crue is definitely metal, that's for sure.
never again. NEVER AGAIN. those words. No. (jk, but seriously, soulja boy is ********.)It's not JUST rock that's dying...
2 words: Soulja Boy...
...
Crue is still metal/heavy metal. It's just not as heavy as some of today's metal/death metal/power metal/speed metal/black metal/thrash metal/etc metal.Oh believe me, I know about songs derived from fantasy/myths. The entire discography of Symphony X is based off of one myth or another. But these lyrics are so generic to the point that you can almost guess the words that are going to come next in a song you've never heard before. I can write some write now.Which is what I'm saying. Poison, Ratt, Quiet Riot, Crue and the like would be considered hard rock by todays music scene. That being said, the Grammies nomination of Motley Crue's song as a best Hard Rock performance is justified.
Also, since I don't know a whole lot about Dragonforce, I'll take your word for it. Like I said, I only like a couple of their songs; and by couple I mean 4. And I've also only heard 4 of their songs. But I don't think the lyrics are supposed to be deep, they are derived from epics/myths/tales, and I think they reflect that.
"In the night, the glory of the sky will shine bright
As the flame of the warrior's spirit
The battle, the steel, clashing so real!"
It reflects pointless nonsense.
I think part of it is the changing music industry. For example, Guns N' Roses had to wade through a ton of crap before their stuff got put out. They were often untimely and unorganized while working on Appetite. No record company today would put up with that or give them a chance. When they completed their material, it was so different from everything else that was playing, nobody would air the Welcome to the Jungle music video or play it, until Geffen pulled some strings and convinced MTV to air it... in the dead of the night. No radio station was willing to play it because it was so unlike anything else that was out at the time.Hmm, growing up in the hard rock age of the late 80s early 90s I conclude that true non-commercial rock is disappearing.