Here's something for all of you dedicated people waiting for WWYP results to do.
There are a wealth of articles and books about cliches, tropes, and otherwise overused plots and stories. Here are a few.
Strange Horizons -- Overused plots They Don't Want to See
SFWA -- "Writerisms" (#6 remains a huge fault of mine)
And, for those of you able to spend a little money, there's always The Tough Guide to Fantasyland, which is a wonderful glossary on major fantasy tropes. I recommend at least reading the free Amazon preview.
It's both fun and sobering to go through these as a checklist. Yep, do that. Did that. What was I thinking? Oh... crap.
A lot of these illustrate why it takes practice and commitment to be a writer. On the surface, some of the advice conflicts. See: "Florid Verbs" versus "Useless Verbs." On the one hand, verbs that are too colorful and used too often turn into "purple prose." On the other, filling a story with "He was ___" and choreographing a scene with a bunch of "He turned" "She moved to" "They walked" phrases gives you no descriptive value. It's all about experience, so you can season it al dente. And actually have it be good taste.
There are a wealth of articles and books about cliches, tropes, and otherwise overused plots and stories. Here are a few.
Strange Horizons -- Overused plots They Don't Want to See
SFWA -- "Writerisms" (#6 remains a huge fault of mine)
And, for those of you able to spend a little money, there's always The Tough Guide to Fantasyland, which is a wonderful glossary on major fantasy tropes. I recommend at least reading the free Amazon preview.
It's both fun and sobering to go through these as a checklist. Yep, do that. Did that. What was I thinking? Oh... crap.
A lot of these illustrate why it takes practice and commitment to be a writer. On the surface, some of the advice conflicts. See: "Florid Verbs" versus "Useless Verbs." On the one hand, verbs that are too colorful and used too often turn into "purple prose." On the other, filling a story with "He was ___" and choreographing a scene with a bunch of "He turned" "She moved to" "They walked" phrases gives you no descriptive value. It's all about experience, so you can season it al dente. And actually have it be good taste.