No, it's in a completely different sense; the "free market" price of an album will approach the marginal cost of producing that album. In the case of digital production, that cost is zero or near-zero.
My bad.
Haha, you honestly think voters have had anything to do with copyright law? What, do you think Disney issued a poll before lobbying Congress in 1999? The law has been maintained because corporations lobby for them.
People didn't have a problem with it until it started coming into conflict with what was convenient for them
Oh no, some people you've met don't want to make music?!
Please at least try to act like an adult. I have no idea what point you're trying to make with that... hilarious bit of sarcasm, but you're embarrassing yourself.
I have already provided links for why copyright does more harm than good. "Against Intellectual Monopoly" makes a good case for how intellectual monopolies result in a net economic loss. While I certainly feel for your friends going for a job in engineering instead of music, it's idiotic to think this is because of the dying industry. The overwhelming majority of independent musicians have always struggled to get by. This has nothing to do with piracy or copyright law.
Even if it did; even if you could prove that it's impossible to make a living as a musician because of piracy or without copright law (something that is pretty much completely horse****, since making it as a musician has always been extremely improbable, and the overwhelming majority of musicians have always made little-to-no money); you would still need to justify copyright law. You would still need to explain to me why it's ok to restrict the natural rights of the public for the monetary good of the few.
See, the mature thing to do would have been to back off of your point about being able to demonstrate that copyright law did not remove incentives towards creativity. Instead you obfuscate and backtrack without even acknowledging that you've abandoned your original point. The idea that the public has a "natural right" to the music and that that overrides the benefit of incentivizing creativity is interesting (it's the meat of the argument, really; bit sad that it took us this long to get there) and I'll address it as soon as you clearly and definitively acknowledge that that is in fact what we're arguing about and that you've abandoned this risible fantasy about wads of money not being an incentive to anyone because all artists are above the desire to make a living.
You can't reasonably believe copyright law is necessary to incentivize the creation of art. Copyright law began only four-hundred years ago. Art, however, has pretty much always been created. It's fine to think copyright incentivizes artistic creation, but it's silly to think it's for the greater good, and even sillier to think it's necessary.
People will always create art. We'll have better art if we give people a means by which to create art professionally. You can't reasonably believe otherwise.
The last time we had this argument I think the line that I won it with was "Right, dude,
The Lord of the Rings would have been better had it been made with the trust funds of three chain-smoking young frenchmen." Movies are obviously different than music, but even if you want to narrow the discussion to music specifically, it's downright inane to even suggest that there will be no difference in quality between the music of a professional and the music of someone who writes and records in between the two other jobs he has to work to pay the rent. I can link you to songs by guys lamenting the fact that they have no way of making money off of the art that lots of people like if it's really necessary.
Nothing is being stolen; there is no analogy between ideas you've created and property you own. Ideas do not belong to anyone. Copyright does not magically grant you ownership of your ideas; it grants you a temporary (in this case, however long you live plus seventy years) monopoly that restricts the rights of others to share that work or create derivative works. If you're going to enter this discussion, at least familiarize yourself with the distinction between theft and copyright infringement.
Suggesting that because I use the word "theft" I'm unaware of the legal definition of copyright infringement betrays a truly subpar understanding of basic rhetoric. When one lawyer says "This gross theft of a father from his children" in a divorce proceeding, the other lawyer does not stand up and triumphantly declare that the opposing counsel is stupid for not knowing what theft is. It's a flexible word and can easily be applied to copyright infringement if you believe that this infringement constitutes an immoral acquisition of goods or ideas.
It's really annoying to me that I have to explain that to you. Maybe in the future read my posts twice before responding or something so that I don't have to re-cover the basics in every rebuttal.
The word "entitlement" works almost magically here. I explain that you aren't entitled to tell others what to do with an idea just because you created it, and your response is to shift the word on its head by mentioning property rights that don't apply and the irrelevance of how "tirelessly" you work? Cut me a ****ing break.
I mentioned the irrelevance of how tirelessly the artist worked? No I didn't. Proofreading, bro. This isn't the SRK debate hall, after all.
I think that most unbiased people would agree that, all sophistry aside, creating a song or movie gives you the right to control the distribution of it in whatever manner you see fit. You obviously disagree. There are a lot of people on both sides of this; it's hardly set in stone. Let's talk about it.
People act like copyright is in the interest of the artist. It's almost never in their best interest. In some cases, it at least works out for them (these are the hugely popular, fabulously rich artists). In most cases, the producers take the overwhelming majority of the profits from copyrights and the artist sees very little of it and usually winds up in debt.
Here Bob Ostertag explains why copyright law is not beneficial for most musicians.
Jim writes a song. It costs him money to record and so forth. Maybe he gets a record contract and puts it on itunes. You're telling me it benefits him if people steal the song instead of paying a buck for it (of which some amount goes to Jim?) The idea's ridiculous, and only someone with a pre-existent desire to get **** for free would even try to dream it up.
Critical to Ostertag's argument as well is the idea that music should cost nothing to produce. It's fine if you like grungy low-quality music or something cobbled together on a macbook or whatever, but there's other music out there.
Again, I can show you examples of pretty non-famous musicians begging people to pay them for songs because they're poor. I kind of don't want my taste in music critiqued but if you truly believe that poor musicians are somehow averse to being paid money for what they create I'll link you.