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Looking for a good listen? Here's the album review thread.

Lore

Infinite Gravity
BRoomer
Joined
Mar 5, 2008
Messages
14,137
Location
Formerly 'Werekill' and 'NeoTermina'
Come here to post your album reviews. Sure, you can talk about metal albums or rap albums in their threads, but for albums that don't quite fit into a specific genre, it can be hard to figure out where to post. Besides that, this is a great way to make a large thread full of useful information about albums.

The key rule for this thread is no "one-liners" or mere posting of links with a simple statement of "10/10 check this out." This thread is for detailed reviews, and if you can't think of much to say at all, it doesn't particularly belong here.

Have fun posting your reviews! I'm looking forward to seeing what you guys post.

One another note, here's the music recommendation thread that I unstickied. It is full of recommendations, but it was time to retire it for various reasons, most notably a need to encourage more detailed content. Still, check it out sometime!
 

Reizilla

The Old Lapras and the Sea
Joined
Mar 20, 2008
Messages
13,676
What if we don't necessarily (just) want to review an album?
 

Luigitoilet

shattering perfection
BRoomer
Joined
Jul 30, 2001
Messages
13,719
Location
secret room of wonder and despair
You guys suck. like, really really bad.



Bubblegum Octopus - Bad Happy (2010)

Genre: Spazzpop/Chiptune/Cybergrind/Nintendocore

This album is one of the most pleasant surprises I've ever stumbled on. I'm infinitely happy to have been able to grow to appreciate all the off-kilter musical choices this artist makes and respect him more than the majority of musicians.

At first listen, any given song from Bad Happy sounds like an NES game that's been possessed by devils while a ridiculous whiny falsetto sings melodies over death metal growls and pained shrieks- in other words it sounds like nonsense. My initial thought upon hearing Bubblegum Octopus was that he was largely a gimmicky joke musician but now I'm kicking myself for having such a dumb opinion. In truth, behind the 8-bit spaz, the insanely fast tempos, and irreverent song structures, there is a real pain being expressed here. The songs go from silly and bouncy to very dark, crushing and even heart melting, within seconds.

I can't overstate the production quality on such a DIY album as this. Everything sounds perfect. Every song has SOOO much going on it but it is all mixed perfectly and nothing gets muddle or lost in the chaos. The drums, while not attempting to mimic actual drums, hit with a great satisfying punch. The synthesis of guitars and a bevy of synthesized sounds mix wonderfully.

This album is like a sad jester, one who is desperate to bring you whimsy even if it means ripping out his own heart in the process. This is not a gimmick.

highlights:

http://www.youtube.com/watch?v=fVgBwDNS9m4

"Spazzpop Forever!!!!!~"

s one of the catchiest and to the point album openers around. clocking in at less than a minute, it gets stuck in my head a lot and is a perfect summation of this musician's sound.

http://www.youtube.com/watch?v=5oL-ZF3WCS0

"Feeler Than I'm Old" starts with a chaotic 8-bit blastbeat with the typical falsetto wailing. Gradually the beat begins to break down and simplify until the mournful bassline comes to the forefront. The song has shifted into something introspective and meditative. The end interlude is the key to the song. The slow and atmospheric synth chords are punctuated by spastic bursts of screaming and intensity. This mishmash of ambient and grind makes me ridiculously happy. and it all ties back in wonderfully to the beginning bass bit.

http://www.youtube.com/watch?v=o5FV8GMdxjE

"Goodbye Light (God's Fake Laser)"

is the first track that I really understood and got me to listen to the whole album a little closer. Structurally similar to the last song I talked about, this one isn't quite as all-over-the-place. It's more melancholic throughout, and there is a very sad interlude with a theremin-sounding instrument crying out long wailing notes over synth strings. This leads to my favorite part of the album where a 4/8 onslaught of desperate screaming, doubletime dance keyboard lines and pounding drums bash you on the head. It's one of the most emotional moments in music I've heard in a long time.
 

Lore

Infinite Gravity
BRoomer
Joined
Mar 5, 2008
Messages
14,137
Location
Formerly 'Werekill' and 'NeoTermina'
So if a thread is made and doesn't get replies, that's obviously an excuse to spam, especially when the mod of the board is busy. Not cool, guys.

Nice review, LT! I'll add a link in the OP to your review when I get to a computer; I'm going to do that for all reviews.
 

#HBC | Dark Horse

Mach-Hommy x Murakami
Joined
Jun 12, 2010
Messages
3,739


Cloudkicker - Beacons (2010)

Genre: Post-Rock, Post-Metal

This is one of the most beautiful albums that I have ever heard, and it does it without saying a single word. Rather, it lets the instruments do the talking, creating a story of panic, relief, determination, sadness, and serenity. Somewhat of a departure from previous couldkicker stuff, the album has a phenomonal range of emotions and dynamics (Compare "We're going in. We're going down" to "...just a wide open field) making it more than just a repetitive, shallow album.

Highlights:

http://www.youtube.com/watch?v=1N5AJxxL8hA

We're goin' in. We're goin' down

The first real song on the album, after the 45 second "we are going to invert..." It starts off with a frantic unaccompanied guitar part, but the whole band joins in and the song sets the mood for the album quite well.

http://www.youtube.com/watch?v=sAik0yuzPVg

I admit it now. I was scared

An incredibly simplistic song, yet that is part of what makes it good. The repeated melancholy chord progression has a distinct air of sadness, while the distant guitar part gives the song an ethereal feel.

http://www.youtube.com/watch?v=Xw0h8VZ7iCQ

Push it way up!

What starts out as a pumping prog metal song soon transforms into an eerie midsection, which shows Ben Sharp's (cloudkicker) mastery of shifting emotion and dynamics.

Verdict: 9.7/10

And the best part? You can get it for free off his bandcamp
 

cannedbread

Smash Lord
Joined
Jul 19, 2012
Messages
1,042
Location
long island


Screaming Females - What If Someone Is Watching Their T.V.? (2007)

Genre: Indie Rock, Punk, Alternative

this thread seems a little dead so i thought i would contribute with one of my most favorite albums ever. simply put, screaming females are the best diy punk bands no ones ever heard of. they have such a basic, raw, sound. but yet, it sounds very cohesive, consistent, and tight. taking cues from 90's alternative fuzz rock and grunge, 80's punk rock, and just a tiny but of shred, screaming females forge a sound that's sounds familiar, but far from typical.

what if someone is watching their t.v.? is a really loud, fuzzed out, indie guitar punk album. the frontwoman, marissa paternoster, bleats/screams/sings/shrieks out cryptic lyrics with power (i was a real shotgun, when he found me. taking over the world, and he found me dead...) while providing fuzzy, distorted electric guitar lines that would make metalheads jealous. one of my favorite albums.

highlights:

Mothership
http://www.youtube.com/watch?v=4rWhJbUjSnk&feature=youtube_gdata_player

one of the more upbeat tracks on the album. a good example of the bands tight sound and excellent instrumentation. really catchy. a fan favorite.

Humanity Arranged
http://www.youtube.com/watch?v=G5u3TKT1rHg&feature=youtube_gdata_player

my personal favorite song from this album. a really good example of the very cryptic lyrics that are pretty much everywhere on this album. (humanity arranged, i've been lyring to you all along.) incredibly catchy guitar riffs incoming. marissa sounds mad cute here too
♥

i would give this record a 8/10. if you like this album and want more screamales, listen to more! they're really good!
i created a flowchart thingy. i haven't listened to the newest album so i won't include it, but from what i've heard it sounds very pop.

more punk → power move
more pop/less screaming/more singing → baby teeth, castle talk
more GUITAR → castle talk, power move
more CUTE → baby teeth
 

Jon Farron

✧ The Healer ✧
Premium
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Dec 8, 2009
Messages
1,539
Location
Texas
Finally getting around to do doing a review.



Demi Lovato - Don't Forget (2008)

Genre: Pop, Rock

This is one of my top 3 favorite albums. A very strong debut from Demi Lovato, and I kinda wish she stuck to this sound. She is not your average Disney singer. She can actually sing, and there is not a trace of autotune on this album. It's fun to listen to, and I never get tired of it. I should probably mention I couldn't find it in a store for 3 years. It was always sold out ;_;
Also, bonus points for 80% of the songs written by her :D



I'll go over the highlights first

The Middle - http://www.youtube.com/watch?v=BHQaGKWKckE
Arguably the best song on the album. It's a strong song that grabs your attention from the start, and then just blows you away with the chorus as she starts to sing "I wanna crash! I wanna fall! I wanna be somewhere in the middle, somewhere in the middle with you". As you enter the bridge, you never want it to end. My personal favorite, and one of the best songs out of all her albums.

Until You're Mine
- http://www.youtube.com/watch?v=KoD-xEZaLhg&feature=relmfu
A very well done power ballad. This easily beats Adele any day.

La La Land - http://www.youtube.com/watch?v=rdnUdQ43VL8&feature=relmfu
A fun song about her staying true to herself in the "La La Land" A great opening to the album leaving you wanting more.



Now for a review of all the songs

La La Land
- http://www.youtube.com/watch?v=rdnUdQ43VL8&feature=relmfu
A fun song about her staying true to herself in the "La La Land" A great opening to the album leaving you wanting more.

Get Back - http://www.youtube.com/watch?v=l1k2TrcLwz4&list=PL53D9222904E0056B&index=8&feature=plpp_video
A great song to listen to any day.

Trainwreck - http://www.youtube.com/watch?v=98fP0aM8aGg&feature=relmfu
I fell in love with this song the second it started, and said the first line. "You fled from medication cause it only causes pain" It's about her being in love with a guy, regardless if he's a Trainwreck or not. "You're a trainwreck but I wouldn't love you if you change" This song was also written entirely by her.

Party
- http://www.youtube.com/watch?v=fNQAIVOYLks&feature=relmfu
A fun summer themed song that is fun to rock out to.

On The Line - http://www.youtube.com/watch?v=2l--VNOnHVk&list=PL53D9222904E0056B&index=11&feature=plpp_video
This song is ok I guess... the Jonas Brothers ruined it. Demi sounds amazing though.

Don't Forget - http://www.youtube.com/watch?v=jiE5qVam1H8&list=PL53D9222904E0056B&index=1&feature=plpp_video
After all the upbeat songs, it was nice to slow it down a bit with this song. Very nice.

Gonna Get Caught - http://www.youtube.com/watch?v=6OTtO2GAaRE&feature=relmfu
Fun song, good for when you're pissed about someone.

Two Worlds Collide - http://www.youtube.com/watch?v=HowOxLYVb1g&list=PL53D9222904E0056B&index=3&feature=plpp_video
Amazing. Beautiful vocals, and very well done lyrics.

The Middle - http://www.youtube.com/watch?v=BHQaGKWKckE
Arguably the best song on the album. It's a strong song that grabs your attention from the start, and then just blows you away with the chorus. As you enter the bridge, you never want it to end.

Until You're Mine - http://www.youtube.com/watch?v=KoD-xEZaLhg&feature=relmfu
A very well done power ballad. This easily beats Adele any day.

Believe In Me - http://www.youtube.com/watch?v=TTUpnPy4n5c&feature=relmfu
A touching song reminding you to just be yourself. It's what the inside that counts, not the outside. I think it was a hint at her emotional problems she had been going through, that nobody knew about until about a year ago. I love this line "The mirror can lie, doesn't, show you what's inside, and it, it can tell you you're full of life. It's amazing what you can hide, just by putting on a smile." Great ending to a fantastic album.

I would give this album a 9.5/10. The only thing keeping it from a 10/10 are the Jonas Brothers in "On The Line"
I highly recommend this album, and can guarantee you will like at least one song on it.
 
Y

Yodery

Guest
Oooooh, an album review thread! Just what I was looking for. Gimme either tonight, or this upcoming weekend; I used to review albums as a 'job' for my friend's music blog. I got payed 10 bucks per review. Swag.
 

z00ted

The Assault of Laughter ﷼
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u-Ziq's - Tango N Vectif

Genre: Electronic/House
Rating: 9.5/10

A basement and a Casio FZ-1 keyboard can take you a long way. This could very well be one of the strongest single man efforts ever released in the history of music. I've heard thousands of albums, played them countless amounts of times, and there is a very small number of them that have affected me this quickly and drastically. The really incredible part behind all of this is that Mike Paradinas (the man behind the album) was living in his mother's home, creating all of this music in a basement on a Casio FZ-1 keyboard with no musical training. The entire album itself is gold, but scattered throughout it are diamonds of songs. Take, "Beatnik #2" for example. Immediately from the start, Paradinas greets the listener with a eightbit-esque loop, that travels throughout the entire song. Layered upon the song are heavy synths, drums, cymbals, and a faint humming sounds that varies in pitch. What you are left with is practically one of the most captivating and comforting songs ever produced. Imagine yourself residing in an extremely difficult video game's "safe-zone", right after facing that boss that took two hundred and twenty two retries to defeat. In fact, most of the album itself could be described as music fitting to that boss battle. The drum loops on various songs are extremely distorted and aggressive, the atmosphere is very dire and heavy, but at the same time contains an intense amount of energy.

This album isn't frustrating or tiring to understand or enjoy, though. Accompanied by the comforting and the aggressive songs are catchy ones as well. "The Sonic Fox" has a very bouncy loop, structured with an incredible light hearted synth that accompanies it throughout. Creativity on this album is endless, and "The Sonic Fox" is a great example of that. As soon as you feel as though the sound u-Ziq is creating on the track is understood and losing it's immediate appeal - halfway through the song he chops it up and mixes the notes up to create even further enjoyment out of what was initially created. Throughout the album's songs you'll hear streams of hisses, bubbles, bumps, rettles, squeaks, whistles, moans, sighs, twitters, clanks, chimes, muffled explosions, unmuffled explosions, and even a sound that closely resembles being trapped in a vacuum cleaner. And to an extent, that's exactly what this album almost feels like. Paradinas is caught in his own vacuum, creating all of these honest and energetic sounds with absolutely no one or anything to limit him. The ideas are expressed and communicated to the listener so exceptionally that it's almost impossible to not comprehend and by doing so, it creates it's own distinct sound.

Paradinas was without a doubt ahead of his time. His experimental journey has created some of the most enjoyable atmospheres I've ever heard in music (even outside this genre). Prior to this album, I viewed electronic music in an entirely different light compared to how I do now. And I think the reason for that is how truly emotional this album is. You won't find those tracks where you feel like the artist is just throwing "whatever" into his/her sound to create a beefed up track. To be honest, that's what always drove me away from electronic music - it's hard to find something soulful, emotional, something you can truly grasp onto and feel (the closest thing that ever came to this was The Avalanches' "Since I Left You"). u-Ziq acknowledges this and most definitely understands it with my personal favorite off the album, "Phragmal Synthesis Pt. 1" being a clear indicator of that. He loads up the sound to the complete brim, with a great amount of swells and a catchy drum loop which leaves the audience in an extremely soothed state, but he makes sure to keep it very simple and direct (not bogging it down) - because this particular song doesn't need any more, it's fine the way it its. And right when you understand the feel he's trying to transmit in the song - once again, his creativity shines by taking you to both Pt. 2 and 3 of it which keep the core aspects, but reveal it in a different attitude or manner. Keeping the entire album fun and playful is what I believe u-Ziq does best. You're always engrossed in the atmosphere he's creating, predicting what may come next, and being surprised and content when it surpasses those expectations.

Accessibility is always something I've admired in an album. Sure, I love being challenged by the odd structure of a song or just the downright obscurity of a sound it's creating, but sometimes I really enjoy just sitting back and enjoying the ride. This, to me, is "Tango N' Vectif's" most redeemable quality. On my first listen, I was pretty much amazed by everything that was going on and loved it, and I'm not even too familiar with the genre. With that being said, I encourage anyone who listens to any type of music to check this album out because it flew under the radar of the public eye way too hard. To me, there are two types of music; good and bad. Tango N' Vectiv provides two hours of thoughtful music to zone out to, or to really pick apart and focus on and it's incredible. The album is definitely something that I pride myself in listening to and enjoy, because that's how music always should be. u-Ziq is without a doubt a master of his trade, and judging by the choice of his name I can bet we share similar sentiments.
 

z00ted

The Assault of Laughter ﷼
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maudlin of the Well - Leaving Your Body Map

Genre: Metal/Avant-Garde/Jazz
Rating: 10/10

Leaving Your Body Map is mine. It traps me in some sort of state that almost no other album can pull off, and does so for the entirety of it's songs. Having owned Bath for two years and listening to it almost religiously before even discovering LYBM, this album shot to one of (if not the) greatest album for me personally as soon as I heard it. A true work of art - and in my opinion, undoubtedly Driver's best.

The musicianship on LYBM is very hard to explain. For the most part it's metal, but you'll find that it's not fair to call it that entirely. Some songs don't even reveal any aspects of the genre at all, with acoustic guitar, soft spoken vocals, sleigh bells, or even the viola making a brief appearance. There's even a few moments of sax that accompany parts of the clean transitions, but I wouldn't deem the sound as jazzy in the slightest. Oddly enough, none of it ever feels out of place in the on what is widely classified as a metal album. The lyrics are personal and abstract ranging in everything from purpose to astral projections, climaxes are exceptional, and transitions within each song are extraordinarily smooth when desired. Toby Driver has created something that is almost spiritual within these songs, and it's incredible. It's the emotionally polarizing album, and the clean/harsh formula that structures and elicits those emotions is genius. Driver and maudlin seem to have a knack for knowing exactly when to back off and ride the song out in a different fashion, or bring in whatever instrument fits the mold best to create something entirely unique and captivating on it's own.

Throughout the sixty one minute album, you'll get a fair share in moments of distraught, pain, and almost a sense of true evil. Screams can be heard in the beginning of a song at a far distance, like someone's being beaten to death while trying to escape. Yet, the next song will have you in a state of bliss entirely throughout. Like you've ventured far off into the perfect dream, never to return back. Moments like this are scattered throughout LYBM and the entire trip is so grand, holding such a sense of certainty, that it's really an enigma when attempting to figure out how an individual can find the psyche to write music like this. With this album, you're either in fear of what may come next - grasping for something to hold on to under all the power and angst of emotions that are the farthest away from joy, or you're marveling at how beautiful, soothing, and awe-inspiring the sounds can be. It can grab a hold of you and really question the way you view your lifestyle and the things within it. Not for the fearful or closed minded, Leaving Your Body Map is more than just music - it's an experience. And for those who focus, embrace it, and truly desire a comprehension of it's complexity.. it's a modern masterpiece.
 

z00ted

The Assault of Laughter ﷼
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Modest Mouse - The Moon and Antarctica

Genre: Rock/Indie/Experimental
Rating: 9.8/10

The Moon & Antarctica will take you everywhere from the tip of the southern pole, past the equator, through the troposphere and stratosphere, space, all the way onto the moon itself. The album hits so many different concepts, thoughts, ideas, and emotions that it may have even the most veteran of music appreciators stumbling upon it within the first few listens. It feels like they created an entirely new genre within this album. One that can take a song in so many different directions that it's almost impossible to predict what can come next. Lives and Life Like Weeds are clear examples of that.

Starting songs in a happy and catchy manner, but then leaving the song in an entirely different fashion upon it's end and vice versa. I think of this album like a very loose string that has been packed with the best decorations simply because at the brief moment you chose that specific embellishment and it deemed best fit at that point in time for you. These songs don't really feel, 'thought out' but somehow are beyond genius. Like the entire thing is Isaac Brock spilling his life and experiences into words and the band is just jamming along with him with whatever improvisations they feel are necessary as they progress. It's cold when it needs to be cold, bleak at most times, but it has really warm parts as well - and those are what really define it. I'll also noted that this album has one of the strongest middle sections in any I've ever heard. An unbelievable nineteen minute experience after Perfect Disguise. Modest Mouse was fit to write music and this is their best work, it's as simple as that.
 

z00ted

The Assault of Laughter ﷼
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Cap'n Jazz - Shmap'n Shmazz

Genre: Lo-fi/Emo/Jazz/Indie
Rating: 9.8/10

Remember the innocent days? Back when your largest problem was winning a game of knockout on the old street? When there wasn't social networking potentially eating up your day and instead you invested your time in your favorite game on the N64? Shmap'n Shmazz - in a way, kind of reminds me of that. Lighthearted, packed with energy, lyrics that (to the sane) don't make the least amount of sense, creative, and actually fun. Not 'high-school prom' kind of fun. The honest to goodness race your friend to the next block, winner gets a dollar kind of fun. Cap'n Jazz had the intelligence in musicianship and still possessed that sense of spirit to create it. Averaging at eighteen years old at the time being, they made a roller-coaster ride of an album. Almost as if it was their way of still embracing the times of being a teenager then and there and not really worrying about anything that may happen later on.

It's colorful, alive, honest, and has just this insane sense of charm that can be a little weird at times.. but always feels right. Some may throw this album aside, claiming it to be immature or lame.. and yeah, it may be. But that's actually what makes it so special for me, because similar to those old days on the street - honest emotions like this may never be captured again.
 

z00ted

The Assault of Laughter ﷼
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Choking Victim - No Gods, No Managers

Genre: Hardcore/Ska
Rating: 9.6/10

HAAAAAAAARDCOOORE RUGGED AND RAW ON THE STREETS OF NEW YORK WE WORK ABOVE THE ****ING LAW. Pretty much the perfect way to describe this album. Anything is fair game in Choking Victim's No Gods, No Managers and they display that quality exceedingly well throughout the album's gritty, aggressive, and almost too real nature. Songs dealing with suicide, drug addiction, politics, conceited agendas, and propaganda play their roles throughout the fast paced and charged ride. What Choking Victim does so well compared to others is throw a certain charm on things that are usually concealed and hid under the mattress to the point where you're certain that they have no problem attesting to the various illegal activities they've indulged in... because to the members of the band, it's what they live for.

And through yelling at the top of their lungs and giving the music such a positive charge it's almost as if the sounds are trying to get you to join in with them. It's a heavy listen full of angst and anger, but at the same time it can be very care-free and comedic when the time comes. A rare combination to see in Ska, and it makes this album one of a kind.
 

z00ted

The Assault of Laughter ﷼
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David Wise - Donkey Kong Country 2 OST

Genre: Ambience/Video Game
Rating: 9.7/10

No other video game soundtrack elicits as many memories as this one. David Wise has created so many memorable soundtracks to various games, but he was in his prime while creating the music for DKC2. The ambience he delivers in some of the songs are so mesmerizing that it doesn't even matter if you've died thirty four times on a particular level, you'll keep on playing until you defeat it because the music is so incredible. And that's what made it so cool. As a child, I was always looking for challenges to topple over and feats to reach. DKC2 provided all of those hardships I wanted and subliminally encouraged me to never give up on them due to the incredible story line, a great sense of humor, challenging puzzles, replayability, and most importantly - fantastic music.

That's what my definition of fun has always been, and today it's almost impossible to find that all in one package within a game.. or even anything, really. In fact, I can thank this game for most likely starting my appreciation of great musicianship. Sometimes I even go back to this game at eighteen years old, just to sit back and admire the music. For those who were lucky enough to play this game in their youth, I can guarantee it created something special for almost all of them. If that's not enough to warrant a masterpiece, I don't know what is.
 

z00ted

The Assault of Laughter ﷼
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HORSE the Band - Desperate Living

Genre: Screamo/8-Bit
Rating: 9.3/10

It's simply too much fun. From the first track you can tell that the musicianship is obviously incredible. Transitions will take you from a session of charged drums, to a dreamlike bridge, then a breakdown for the coda from leftfield that imitates the introduction. Laughter and various other sound effects can be heard throughout, like their fully aware of the genius being displayed and having a great time doing it. And the synths! HORSE the Band without a doubt at their prime on this and their music really exemplifies that... music like this doesn't really come around all too often. The band executes their fun, comedic, and 8bit-esque formula incredibly well on Desperate Living and by doing so, create a energetic and unique listening experience. Not to mention these are some of the greatest people to ever pick up an instrument.

Check out any of their interviews or the EARTH TOUR excerpts on youtube and you can tell immediately that they're just kind hearted and a really cool set of people. Through the years, HORSE the Band's been through a **** ton and Desperate Living exemplifies that by providing a clear example of what making music is all about. I honestly can't imagine seeing this album as anything other than classic.
 

z00ted

The Assault of Laughter ﷼
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Guided By Voices - Bee Thousand

Genre: Indie/Lo-fi
Rating: 9.9/10

Guided By Voices is clearly a big fan of itself, but it's also equally appreciative of pop rock. On Bee Thousand it’s noticeable - the band plays an extremely dampened version of indie, with all rock 'n' roll sentiments prioritised. In fact, the first question is Are you amplified to rock?, asked in “Hardcore UFOs”, which is seemingly prophetic of the answer: Bee Thousand opens and continues with raw rockers.

With that being said, it's definitely one of my favorite albums of all time. Can just go into it with any attitude and always come out feeling better than before. The song lengths are perfect, everything always feel fresh, it's fun, and the songs are just so passionate. I'm not even a fan of pop, but I feel as though this is something much more than just that. The songs are layered really well and are pretty complex for a pop rock album. I love making up my own interpretation for the songs' interesting lyrics, love the lo-fi quality of the production, and love being engrossed in a song's structure and having it taken away when it shows even the slightest bit of boredom/repetition. Bee Thousand has a great sense of warmth and everything's going to be alright attitude. Truly love everything about this record... it's really one of a kind.
 

z00ted

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Built To Spill - Perfect From Now On

Rating: 9.9/10
Genre: Indie

A rock symphony. Built To Spill abandons all of their previous 'poppy' elements and instead decide to write six minute plus epics of songs, which is practically everything I could ever ask for in music and the band itself. The lyrics are simple and honest yet extremely intelligent, riffs come in from left field that will totally blow you away, and the entire album just runs so fluidly that it takes commitment to ignore. It's unconventional, complex, grand, and a hidden masterpiece of the nineties. One of the most emotional and powerful albums ever released - an escorted journey into Martsch's mind.

The last minute of Made Up Dreams and the follow up into Velvet Waltz is without a doubt one of the most emotional experiences I've ever felt in music. "And you better not be angry. And you better not be sad. You better just enjoy the luxury of sympathy, if that's a luxury you have. And you know no private bad. You know that that's the meaning of you're done. In a world that's not so bad. In a world time was killing in the sun."
 

z00ted

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My Bloody Valentine - Loveless

Rating: 10/10
Genre: Shoegaze/Psychedelic

What draws one into music? Most would probably attest to it being the vocals: after all, there's not much better than a soothing lead guiding a song to it's end point - right? Maybe others would say musicianship.. how effectively someone has technical control over their instrument. Recently, I decided to pick up guitar. I was going along fine teaching myself on my own.. but thought it would be best to have a bit of a nudge in the correct direction with lessons. Tried it for about three weeks and couldn't follow through with it. My teacher who gave me the lessons would probably answer the posed question with, "the solos draw people in" and while he could possibly be right on a majority scale, for the most part... that just wouldn't sit well with me. My Bloody Valentine's Loveless sits very well with me though.. yet it doesn't really possess the strengths any one of these three groups' answers would look for and would likely be turned off after half the album's length, deeming it as just noise and unacceptable. To most of us, it is at first. But if there's one thing that rewards the most in music - it's persistence. And Loveless rewards those with that trait like Nicolas Cage in the final scenes of National Treasure.

Personally, Loveless is the closest my musical journey has ever ventured to the sense of love itself. To many, that may sound far fetched or a bit cliche - but the evidence is definitely here.. it's just concealed under all the distortion, drum loops, synths and tremolo. The androgynous vocals are what truly make this album though, creating a very free, positive and ventilated atmosphere. Strangely, this album breathes even when bogged down with the great amount of ideas being played out. On paper, things like this would normally kill an album, but here the formula is balanced just right and the result shines beautifully creating it's very own stamp in the sound of music. Songs are so sexually charged yet somehow hold this innocent charm with such a great sense of assurance and bliss. Very warm and buzzed, like the feeling of getting under your favorite blanket on the coldest days of winter while laying next to a heater, or telling your first crush (who you've been best friends with for the longest time) how you truly feel about them.

All of this has probably led you on to the looming question of: what's with the title? The album's name has been a mystery to myself and others for quite some time due to the fact that when thinking on how to describe the album's feeling it pretty much tacks on something that trails in the opposite direction. At first glance one may even deem it as lazy or unjustified. How could artists that produce a sound this sincere give it such a name? A hunch tells me this album was designed for those who may never found love yet or are out of it - the true loveless. Whether it be the absence of a relationship with the same or opposite sex, not yet discovering an aspiration in something they truly want to succeed in, or a having no strong forms of trust between any other individual. Although true love may or not be as strong as the feelings evoked within this album, it at least hints at the concept and notion of it and gives those listeners hope to one day stray off in those passionate and thrilling emotions. And for those who are already familiar with love, it reminds us of how to appreciate and not disregard the things in life that strike us with such deep and intense affection.
 

Morin0

Smash Lord
Joined
Oct 9, 2007
Messages
1,907
Location
San Diego, CA


u-Ziq's - Tango N Vectif

Genre: Electronic/House
Rating: 9.5/10

A basement and a Casio FZ-1 keyboard can take you a long way. This could very well be one of the strongest single man efforts ever released in the history of music. I've heard thousands of albums, played them countless amounts of times, and there is a very small number of them that have affected me this quickly and drastically. The really incredible part behind all of this is that Mike Paradinas (the man behind the album) was living in his mother's home, creating all of this music in a basement on a Casio FZ-1 keyboard with no musical training. The entire album itself is gold, but scattered throughout it are diamonds of songs. Take, "Beatnik #2" for example. Immediately from the start, Paradinas greets the listener with a eightbit-esque loop, that travels throughout the entire song. Layered upon the song are heavy synths, drums, cymbals, and a faint humming sounds that varies in pitch. What you are left with is practically one of the most captivating and comforting songs ever produced. Imagine yourself residing in an extremely difficult video game's "safe-zone", right after facing that boss that took two hundred and twenty two retries to defeat. In fact, most of the album itself could be described as music fitting to that boss battle. The drum loops on various songs are extremely distorted and aggressive, the atmosphere is very dire and heavy, but at the same time contains an intense amount of energy.

This album isn't frustrating or tiring to understand or enjoy, though. Accompanied by the comforting and the aggressive songs are catchy ones as well. "The Sonic Fox" has a very bouncy loop, structured with an incredible light hearted synth that accompanies it throughout. Creativity on this album is endless, and "The Sonic Fox" is a great example of that. As soon as you feel as though the sound u-Ziq is creating on the track is understood and losing it's immediate appeal - halfway through the song he chops it up and mixes the notes up to create even further enjoyment out of what was initially created. Throughout the album's songs you'll hear streams of hisses, bubbles, bumps, rettles, squeaks, whistles, moans, sighs, twitters, clanks, chimes, muffled explosions, unmuffled explosions, and even a sound that closely resembles being trapped in a vacuum cleaner. And to an extent, that's exactly what this album almost feels like. Paradinas is caught in his own vacuum, creating all of these honest and energetic sounds with absolutely no one or anything to limit him. The ideas are expressed and communicated to the listener so exceptionally that it's almost impossible to not comprehend and by doing so, it creates it's own distinct sound.

Paradinas was without a doubt ahead of his time. His experimental journey has created some of the most enjoyable atmospheres I've ever heard in music (even outside this genre). Prior to this album, I viewed electronic music in an entirely different light compared to how I do now. And I think the reason for that is how truly emotional this album is. You won't find those tracks where you feel like the artist is just throwing "whatever" into his/her sound to create a beefed up track. To be honest, that's what always drove me away from electronic music - it's hard to find something soulful, emotional, something you can truly grasp onto and feel (the closest thing that ever came to this was The Avalanches' "Since I Left You"). u-Ziq acknowledges this and most definitely understands it with my personal favorite off the album, "Phragmal Synthesis Pt. 1" being a clear indicator of that. He loads up the sound to the complete brim, with a great amount of swells and a catchy drum loop which leaves the audience in an extremely soothed state, but he makes sure to keep it very simple and direct (not bogging it down) - because this particular song doesn't need any more, it's fine the way it its. And right when you understand the feel he's trying to transmit in the song - once again, his creativity shines by taking you to both Pt. 2 and 3 of it which keep the core aspects, but reveal it in a different attitude or manner. Keeping the entire album fun and playful is what I believe u-Ziq does best. You're always engrossed in the atmosphere he's creating, predicting what may come next, and being surprised and content when it surpasses those expectations.

Accessibility is always something I've admired in an album. Sure, I love being challenged by the odd structure of a song or just the downright obscurity of a sound it's creating, but sometimes I really enjoy just sitting back and enjoying the ride. This, to me, is "Tango N' Vectif's" most redeemable quality. On my first listen, I was pretty much amazed by everything that was going on and loved it, and I'm not even too familiar with the genre. With that being said, I encourage anyone who listens to any type of music to check this album out because it flew under the radar of the public eye way too hard. To me, there are two types of music; good and bad. Tango N' Vectiv provides two hours of thoughtful music to zone out to, or to really pick apart and focus on and it's incredible. The album is definitely something that I pride myself in listening to and enjoy, because that's how music always should be. u-Ziq is without a doubt a master of his trade, and judging by the choice of his name I can bet we share similar sentiments.
**** yeah, u-Ziq. How did you get into u-Ziq? I got into u-Ziq because of Aphex Twin/Squarepusher.
 

z00ted

The Assault of Laughter ﷼
Joined
Apr 18, 2010
Messages
10,800
Yeah, that's exactly how I got into them as well. BT, Boards of Canada, Kashiwa Daisuke, The Avalanches, and Secede too!
 

z00ted

The Assault of Laughter ﷼
Joined
Apr 18, 2010
Messages
10,800
Wooo, people with good taste in music!
I'm done for now lol, but thanks for the feedback!
 

Luigitoilet

shattering perfection
BRoomer
Joined
Jul 30, 2001
Messages
13,719
Location
secret room of wonder and despair
Thanks for reviewing Desperate Living. More people need to listen to that album. It's amazing the freshness, passion, vitality and TRUE sincere emotion that album (and band) brings to such a dead music scene like hardcore. HTB writes the only good breakdowns. everyone should listen to all HTB forever. they will always be my favorite band.

Gillian Carter - ...Having Lost


A wonderfully tasteful "real" screamo/post-hardcore band from FL. I had the honor of playing with these guys a few times but it wasn't until the last time I saw them that I decided to give their records a listen. ...Having Lost, along with FERO LUX's Some Divine Ashtray is one of the best modern skram albums I've listened to.

The songs are mournful and melodic with a punk rock edge, filled with woeful post-rock style progressions pained chants and screamed harmonies. The lyrics are vague but extremely personable. It's bouncy and catchy but it hits hard. This is my favorite kind of music, that hooks you instantly and is immediately accessible but goes straight for true and painful emotions. This album is simply cathartic.

Plus it's free, so download it.

highlights:

"The Same Landmarks that Used to Miss Us"
"Memoirs"
"Dialogue"
"March 17, 2007"
 
Y

Yodery

Guest
Cap'n Jazz? Built to Spill? My Bloody Valentine?

Sheeit, son, and here I thought everyone here were a bunch of philistines.
 

z00ted

The Assault of Laughter ﷼
Joined
Apr 18, 2010
Messages
10,800
I used to have one but it would never scrobble correctly so I just got rid of it.
 

cannedbread

Smash Lord
Joined
Jul 19, 2012
Messages
1,042
Location
long island
that sucks D:

getting if to work on the desktop can be dumb sometimes. my friend recommended i should use foobar and it's scrobble extension thing, but it's not as user-friendly + i was being impatient so i dumped it. for now i just play music on my phone. i might download, like, songbird or winamp or something more accessible.

anyway those were good reviews. i really love mbv and capn jazz so it was a joy to see someone else likes them too.
 
Y

Yodery

Guest


Radiohead - OK Computer
Rating: 9/10
Genre: Alternative Rock


I originally wasn't going to do this review. I KNOW that everybody has done this TO DEATH, but I do not care. It must be done. Here I go.

There are certain classics that will, no matter what, be known as an epitome of classical standard for all the future of that particular art. For example, all movie fans will forever idolize The Godfather. All literature-obsessed bodies will continue to glorify Shakespeare. All fans of cartoons will find solace in The Flintstones and Scooby-Doo. There's something wonderful about music though, and it's that there isn't just one kind of music. I know, there also isn't just one kind of movie, but...a movie is a movie. It's the same experience no matter what it may be about. You sit down, you watch something, it means something, the end. Music isn't quite like that. Sure, we sit down, we listen to something, it means something, the end. But...music also manages to utilize tens upon hundreds of elements in one song, where it then throws them into a giant melting pot for mixing, and then finally dump the contents onto the person who is experiencing the music (a.k.a., the listener). It is only fair to conclude that each and every song is felt and experienced differently by each and every individual.

To be fair to the movies and books and cartoons of the world (all of which I hold dear to my heart as well), I know that each of the aforementioned things applies to all forms of art. It seems though that, with music, we are given a much more vague and self-reliant hold on exactly how to enjoy it. When you sit down and watch a TV show, all you need is a little bit of attention, your eyes to the screen, and a comfy place to sit. If you have all of these, the only thing that can keep you from enjoying said program is an intellectual difference. With music, it requires much more work on the listener's part; you need to focus on the sounds, listen to the words, form the atmosphere that the song will carry, and remain in an alert and sound environment (at least when you're still getting used to a particular piece of music). This is one of the reasons that I turn to music to quench my artistic thirsts.

Radiohead in particular does not help the average listener. Quite the contrary, actually; when I first heard OK Computer, I was compelled to turn it off because I was so out of my element upon hearing it for the first time. That was years ago now, and I'm glad that I continued to give this band (and more importantly, this album) chances. What starts out as a very attention-needing listening session, OK Computer manages to lay all of its cards out on the table in a very easy fashion, once you've gotten to know it. It's almost like the really interesting cool kid who doesn't trust anybody: almost everybody knows who they are, and many people who have become friends with that person find them to be incredible, but...at the same time, it's a really difficult task to get yourself that high in this person's graces. OK Computer flat out rejected me and my tastes the first time I heard it, and I was so discouraged that I didn't go back for well over a year. I just took it that Radiohead wasn't for me. I later couldn't handle all of the hype for this band, and decided that I would jam this thing into my head no matter what. Some say that forcing something on yourself is a bad thing, but I learned that statement to be a false one.

As I'll say with many of the albums featured in my favorites list, I like to listen to my albums as a whole. This does happen to be one of those records where I don't like to single out songs, but...that's the wonderful thing about this album: I can. I can actually listen to this as a whole, but then go on to pick out and listen to individual songs that are of particularly noteworthy quality. Some say that this would throw off the album consistency, but I don't find that true for OK Computer. Radiohead paints a wonderful picture on almost every track that this album has to offer (I say almost due to two filler tracks: "Airbag" (which everyone loves and I find to be a whiny mess), and "Fitter Happier" (a crappy (and creepy) interlude of sorts). Analyzing just a few of these key songs, I'd like to point your attentions to what many (myself included) consider Radiohead's very own "Stairway to Heaven": "Paranoid Android". This was the first Radiohead song I ever heard, and I didn't care for it the first time I heard it. I decided I'd let it grow on me though, and I am satisfied with this song. Yeah, it's a great song, even if there are a few better songs from this album anyway. "Subterranean Homesick Alien" earned its high graces from me when I decided to play it on repeat one night for 65 times. I slept through most of those sixty-five listens, but the theme is forever embedded into my conscious and subconscious mind. "Let Down" earns itself as the most beautiful song of the album, and "Karma Police" gets the award for the catchiest. Still, one song will always reign over the others for me, and that song is "Climbing Up the Walls". This is a contender for my favorite Radiohead song ever, packing in some of the strongest emotional themes that has ever been touched in alternative rock: fear, insanity, and the unknown.

While these aren't the only songs noteworthy of mentioning from OK Computer, I feel that I'd only be bringing down the review and wasting your times mentioning more, such as "Electioneering"'s Muse-esque qualities or "Exit Music (For a Film)"'s wonderful sentiments (okay, I slipped up a bit there, lmfao).

Radiohead would not go on to do another rock-based album in a long time after this one; even this album wasn't all rock-based. The Bends serves as the final truly rock album by Radiohead, and I really wish they had balanced their future works out as well as they did here. Maybe that's why this is considered by many to be Radiohead's Blackwater Park. Who knows? All I know is that each song manages to speak for itself. This is a quality that I find many bands struggle with; Mr. Yorke demonstrates the proper way to do such things.

Just how this album managed to evolve my tastes is something that I can barely begin to describe.

This album is simply one of the greatest and easiest listening experiences for any person who has the patience and will to achieve such zen. I encourage everybody to not give up when they hear this...it's far too amazing to give up on. There are certain classics that will, no matter what, be known as an epitome of classical standard for all the future of that particular art, and OK Computer has went down as that very standard that all experimental and alternative rock follows.

Have a lovely day, everybody.
 
Y

Yodery

Guest
this is nitpicky but how does an album with two weak tracks equal out to a perfect 10 rating?

:phone:
Ehhhh 10/10 for me = personal favorite. Not so much "perfect" per say. No album is perfect. I'm stupid like that.

... Screw it, I'll give it a 9/10. lol.
 
Y

Yodery

Guest
it makes me sad when people hate on Fitter Happier. thats one of the defining songs of that album. i think Electioneering is the weak point of OKC personally

:phone:
Did you like the review tho? I spent all day on it :o
 

Luigitoilet

shattering perfection
BRoomer
Joined
Jul 30, 2001
Messages
13,719
Location
secret room of wonder and despair
I like it and can relate as Radiohead is what got me interested in all types of non rock music. For me it was Kid A and Hail to the Thief more than OKC but i still feel like that album is a rightful classic and a perfect showcase for experimental pop and rock music

:phone:
 
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